Transport: Car or taxi

Church of the Cross

On the old church site of Kolkanmäki rises the architecturally impressive tower of the Church of the Cross, built 1978. This vital element of the Lahti cityscape is a masterwork of Alvar Aalto, elegantly mirroring the city hall – located on the southern end of an axis crossing the market square – designed by Eliel Saarinen, another master architect.

As the primary church of Lahti, the Church of the Cross is a well-known place of worship, clerical procedures and spiritual activities. Master organists from around the world have played the church’s 53-stop pipe organ, constructed at Veikko Virtanen’s workshop. The church serves as important concert venue and studio due to its great acoustic design.

History

Lahti’s Kolkkamäki Hill was occupied from 1890 to 1977 by a classical Finnish wooden church, until it was torn down by the Evangelical-Lutheran congregations of Lahti to make way for a new church. Alvar Aalto was invited to design a new central church for Keski-Lahti.

The decision to demolish the old church and replace it with a new one sparked a religious controversy, which was unique in the history of Finnish churches due to its scale and ferocity. Complaints and statements to various authorities regarding Aalto’s plans lasted nearly seven years.

When Alvar Aalto started to plan the church, he visited the future church site. The preservation of trees, the closeness to nature, and the opening of the church into nature were important to Aalto. This worked well with Aalto’s intent to have the Church of the Cross act as a Getsemane – a place of prayer and silence in the middle of the busy, modern Lahti. The church’s triangular layout was the first of its kind in Finland.

The church’s southern wall boasts a cross-shaped cluster of 52 windows. The simple cross on the altar wall was fashioned from a support beam of the old church’s belfry. The concrete belfry of the Church of the Cross rises 40 metres up directly from the structure. It holds the three bells of the previous church, which remain in use to this day.

Varkaus – Alvar Aalto’s Architecture and Industrial Heritage by the Shores of Saimaa

Varkaus offers a fascinating blend of industrial heritage, Alvar Aalto’s architecture, and the serene beauty of the Saimaa lake district. This historic industrial town is where Aalto began his design work in the mid-1930s, leaving a lasting impact over the following decade. Exploring Varkaus is a unique opportunity to see how Aalto incorporated the principles of functionalism into everyday life and industrial settings.

Aalto’s contributions to Varkaus include a wide range of designs: industrial buildings, urban plans, and standardized type houses, many of which still serve as homes for local residents. The prefabricated houses produced at the Varkaus factory were distributed widely across Finland, supporting the nation’s post-war reconstruction and promoting practical, affordable living solutions. Varkaus is a testament to Aalto’s vision for a more equal and functional society.

Industrial Innovation and Excellence in Varkaus
With over 200 years of industrial history, Varkaus has cultivated expertise in a variety of fields, from ironworks and engineering to shipbuilding, wood processing, and paper production. Today, the town is also known for its cutting-edge energy technology. Part of the old industrial area has been transformed into a modern hub for aquaculture, producing environmentally friendly rainbow trout in the pristine waters of Lake Saimaa—a local specialty worth tasting.

Culture and Nature in Perfect Balance
In Varkaus, history, modern architecture, and lush nature come together in a harmonious urban landscape. The Saimaa lake district invites visitors to experience its tranquil waters and natural beauty, while local Savonian cuisine adds a delightful flavor to any visit.

A compelling addition to the town’s attractions is the Museum of Mechanical Music, where you can explore the fascinating world of mechanical music from the 19th century to the present day. This internationally renowned museum is a must-see for visitors of all ages.

In Varkaus, Alvar Aalto’s vision, industrial heritage, and the tranquility of nature combine to create a destination that captivates both architecture enthusiasts and those seeking a fresh perspective on Finnish history and culture.

Welcome to Varkaus – discover the harmony of Alvar Aalto’s design and industrial heritage by the shores of Lake Saimaa!

Finlandia Hall

Step Iinto an experience

Finlandia Hall is one the most important architectural attractions in Helsinki. Alvar Aalto’s design was finished in 1971 in its beautiful central location by the Töölö Bay.

As the name indicates, Finlandia Hall was designed to be a symbol for Finland. Aalto originally made plans for the whole Töölö Bay area in 1962. Aalto designed Finlandia Hall, like many of his buildings, as a complete work of art including the interior. The lights, door handles, chairs and other furniture were designed by Aalto and his architect bureau. They constitute an essential part of the full masterpiece known as Finlandia Hall and definitely make the inside of the building worth a visit as well.

The newly renovated Finlandia Hall opened its doors in January 2025, offering a unique blend of Finnish architecture, design, and culinary delights. This iconic building has been transformed into an inspiring event venue where history meets modern innovation in a truly captivating way.

The refreshed Finlandia Hall features a variety of new services and experiences for visitors to enjoy:

Finlandia Cafe & Wine
Relax and indulge in unforgettable flavors at the cozy wine café, set against the stunning backdrop of Töölönlahti Bay. Enjoy a fresh perspective on these beloved views while savoring exquisite wines and coffee. While the wine café at Pikku-Finlandia is closed during January, both cafés will be ready to welcome you soon, offering even more opportunities to enjoy this unique atmosphere.

Finlandia Shop
Design enthusiasts will love the newly opened shop, inspired by the architecture and unique details of Finlandia Hall. Discover beautiful design pieces and take home a touch of Finlandia Hall’s timeless charm.

Finlandia Homes
Experience something truly extraordinary – now you can stay overnight at Finlandia Hall! The beautifully restored apartments combine functional aesthetics with the warmth of a Finnish home, offering a one-of-a-kind accommodation experience in a historic setting. Book your stay today and make your visit unforgettable!

Finlandia Bistro
For the first time, Finlandia Hall features a bistro-style à la carte restaurant that celebrates Finnish ingredients and craftsmanship with a modern twist. Finlandia Bistro is open for dinner from Thursday to Saturday and is available for private events at other times. The Bistro officially opens on January 17, 2025 – book your table now and treat yourself to an unforgettable dining experience!

A Year Full of Events
Finlandia Hall’s calendar is packed with diverse cultural events, including concerts, musicals, theater, and dance performances. The legendary venue provides a stunning setting for both grand and intimate events alike.

In summer 2025, a captivating new exhibition will debut, inviting visitors on a journey through the creative legacy and architectural brilliance of Alvar, Aino, and Elissa Aalto. The exhibition will showcase the diversity of their work and offer fresh perspectives on their enduring impact.

Guided tours of Finlandia Hall provide a deeper look into the history and architectural significance of this legendary building. Details and schedules for the tours will be announced soon.

Step into architecturally fascinating experiences where only imagination is the limit. Experience unique event venues in Helsinki, near the beautiful scenery of Töölönlahti Bay. Welcome to the most memorable experiences of Finlandia Hall and Little Finlandia.

Interior and Furnishing of the Savoy Restaurant

Aino and Alvar Aalto designed the interior of Savoy Restaurant, which occupies a commercial building in the centre of Helsinki. The restaurant’s furniture was commissioned from Artek. The Savoy has mostly kept its original appearance and is still a restaurant.

A. Ahlström Osakeyhtiö commissioned the commercial and office building called the Industrial Palace on the South Esplanade in 1937. Aino and Alvar designed the top-floor restaurant and the furnishings for the function rooms on the floor beneath it.

The Savoy Vase

In 1936, Alvar Aalto took part in an invited exhibition held by the Karhula-Iittala glass factory. His series of glass works “Eskimoerindens skinnbuxa” (The Eskimo Woman’s Leather Breeches) won the competition. These winning vases were first displayed to the public at the Paris World Exposition in 1937. One of the models was also chosen to be part of the new Restaurant Savoy’s furnishings. This design of vase came to be known by the name of the restaurant – Savoy.

Helsinki Energy Office Building

Helsinki Energy Office Building was designed for Helsinki Energy, former The Office Building of the Helsinki City Electricity Company. It is located in the the city centre of Helsinki, in Kamppi area. The building’s location is part of Aalto’s city-centre plan from 1961. Together with Finlandia Hall, Helsinki Energy Office Building is the only building realised part of Aalto’s city-centre plan. The designing process started in 1965 and the building finished in 1973.

Aalto designed the new building to form an integrated architectonic whole with the electricity substation already on the site from 1939. The electricity substation was designed by Gunnar Tacher. The buildings are linked by the line of their roofs. Therefore Helsinki Energy Office Building is a good example of the seamlessly combination of a new building with an earlier one. Helsinki Energy Office Building is nowadays a substantial part of the Kamppi cityscape. 

Apart from housing the company’s the head office, the building also has the main electricity and heat-generation control rooms, the electricity substation and the customer-service department. The street level was to be the customer-service floor, while the upper floors were reserved for offices. There were conference rooms on the top floor, plus the staff restaurant. The street-level customer-service hall got natural light from skylights, which resemble the ones that were also used in the National Pensions Institute building in Helsinki earlier.

Helsinki Energy Office Building was also a total work of art for Aalto’s office, therefore all the original interiors were also designed by Aalto. Over the years the interiors have been changed but in some spaces they have restored the furnishings back to the originals. The façades of the building are corrugated sheet copper and the current façade lighting is from the 1990s. Glazed blue and white ceramic tiles designed by Aalto were used for the interior walls of the building. 

Helsinki Energy Office Building is well-preserved in its original state as it has been in the care of its single owner for over 40 years. The building is still used for its original purpose and only a few alterations have been made, so Helsinki Energy Office Building has certainly withstood the passage of time well.

The surrounding areas in Kamppi district have gone through some changes over the years. The latest change being the Kamppi Shopping centre that was built in 2006. Helsinki Energy Office Building is nowadays linked partially to the centre for example with its underground passage. After the renovations, a coffee shop was also opened at the Helsinki Energy Office Building customer-service floor.

National Pensions Institute, Main Building

National Pensions Institute (The Social Insurance Institution of Finland KELA) Head Office is close to the centre of Helsinki. The richly nuancedly monumental main building represents the best of Aalto’s office buildings. The building (1953-1956) is still in its original use.

Aino and Alvar Aalto won the design competition for the head office in 1948. New designs were made when the first plot was changed for another. The floor plan for the building on the new triangular plot was divided into smaller building units, which reduced the impression of a large building mass. A raised inner courtyard sheltered from the traffic in the street is left in the middle of the building. Its character as a public building has been emphasized by its exceptional siting in contrast to the neighbouring buildings. The building is split-level and is lower on the park side.

The complex comprises 310 rooms and 22,500 m2 of floor space. The facade materials are red brick, copper, and black granite. The building is distinguished throughout by workmanship and materials of high quality: all details are carefully studied and the interior design is exquisite, especially that of the management floor and the conference rooms. Aalto developed several new variants of his standard furniture for the Institute, a whole series of new light fittings, ceramic wall claddings, and a variety of textiles.

The general public has access only to the customer service hall, three stories high and lit by three prism-shaped lantern skylights. This room originally contained twenty-eight unroofed interview cubicles in which applicants could present their cases undisturbed to the staff. Of special interest is the tiny library, it is a miniature version of Aalto’s renowned early work, the Viipuri Library.

The intended site was a block marked off by Mannerheimintie, Töölönkatu and Kivelänkatu, though a neighbouring block facing Hesperiankatu was given as an alternative. The entire project was to be funded by the the Social Insurance Institution of Finland, which looked forward to obtaining a good, reliable return on its investment.

Aalto was commissioned to develop this extensive plan further, and he worked on it until 1952, when problems with the site led to the decision to build on another site altogether. The entire original plan for the National Pensions Institute was scrapped in 1952, when a much smaller, triangular site in Taka-Töölö (bordered by Nordenskiöldinkatu, Messeniuksenkatu, and Minna Canthinkatu) was selected.

In order to avoid the oppressive feeling of a large office building in a crowded urban setting, Aalto differentiated the workplaces for over 800 employees into a ramified organism spread out among several seemingly individual building volumes with excellent internal communications both above and below ground. The complex forms an irregular U surrounding a raised, planted courtyard sheltered from traffic noise and exhaust gases and with a view of an adjacent park; the height of the building volumes is stepped down towards the park.

National Pensions Institute, Housing Area

Seen in the cityscape the redbrick high-rise blocks form an integrated whole. Alvar Aalto designed these blocks of flats in Munkkiniemi, Helsinki, for the employees of the Social Insurance Institution of Finland. The collaboration with the National Pensions Insitute and the Aalto’s had already begun a couple years before. Aino and Alvar Aalto won the architectural competition to design an office complex for the National Pensions Institute in Helsinki in 1949. Nowadays these buildings are operated by a normal housing cooperative.

In total there are 4 high-rise buildings and they are located on Riihitie 12-14 and Tallikuja 2-4. The layout of the buildings as well as their volume and details form a rich housing complex to the neighborhood. Three of the four buildings are rectangular but one located on the corner has a meandering lay out.  

The four and five storey buildings were sited beside the street, leaving plenty of room for the buildings’ yard area. The idea was that the buildings would shelter the yard area from the traffic in the street. Aalto planned a paved, open area – a piazza – adjoining the buildings, with a fountain. The fountain and small day-care centre building also planned to go beside the piazza were not built. The open area, raised slightly above street level, and the other yard and street areas form a nuanced whole. Originally a grocery store operated in the ground floor of one of the buildings. This public composition was accentuated with a arcade corridor on the street side elevation. Nowadays some of the ground floors of the buildings are occupied by various offices.

The quite light tone of the the red brick were designed especially for these block of flats in H.G. Paloheimo Oy. The housing area is view-able from the outside.

Aalto knew Munkkiniemi well. At the start of the 1930s, he designed a residential area for the M.G. Stenius company, but it was not built. He was also a member of the Munkkiniemi building committee in 1937–39. Both The Aalto House and Studio Aalto are also located in Munkkiniemi.

Book House

The Academic Bookstore, or ‘Book Palace’, is in Helsinki’s city centre, in the same block as the Aalto-designed office building, the Rautatalo. The building was finished in 1969 and it is still in its original use. The Academic Bookstore moved in to the building in October 1969.

The plot’s owner, Stockmann, held an architectural competition for the design of the building in 1961–62. Aalto won this with a proposal using the same ideas as in the nearby Rautatalo.

The design of the copper-clad façade on Keskuskatu takes into account the adjacent building’s façade. The building’s main interior space, the central hall, corresponds in its ideas to the marble interior courtyard of the Rautatalo. The central hall gets natural light from the prism-shaped skylights. The floor and closed balustrades of the balconies running round the central hall are of Carrara marble.

Alterations have been made to the interiors. Some of the rooms on the upper floors originally used for offices have been taken over for the bookshop. Nowadays, there are two cafes. The one in the second floor is partly furnished with original Aalto furniture from the Rautatalo cafe. Open for public as a bookstore and cafe.

Aalto House

In 1934, Aino and Alvar Aalto acquired a site in almost completely untouched surroundings at Riihitie in Helsinki’s Munkkiniemi. Aino and Alvar Aalto designed the building, whose simple, natural materials soften the form language of modern architecture. Designing their own home gave them an opportunity to make various structural and material experiments. The Aalto House was completed in August 1936. Aalto’s architect’s office was in this building in Munkkiniemi until 1955.

Alvar Aalto lived in the house on Riihitie up until his death on 1976, and the building was used by the family long afterwards.The house, protected by the Act on the Protection of Buildings, is now part of the Alvar Aalto Foundation. Nowadays, the building is a home museum open to the public.

The house was designed as both a family home and an office and these two functions can clearly be seen from the outside. The studio and the family’s living areas have been discreetly separated from each other through choices of material. This can be seen in both the façades and the interiors.The slender mass of the office wing is in white-painted, lightly rendered brickwork. There are still clear references to Functionalism in the location of the windows. The cladding material of the residential part is slender, dark-stained timber battens. The building has a flat roof and a large south-facing terrace. The way that the rooms in this building with its closed street façade face in different directions has been carefully considered.

Although the street side elevation of the house is severe and closed-off, it is softened by climbing plants and a slate path leading up to the front door. There are already signs of the ‘new’ Aalto in the Aalto House, of the Romantic Functionalist. The plentiful use of wood as a finishing material and four open hearts built in brick also point to this. The Aalto House is a cosy, intimate building for living and working, designed by two architects for themselves, using simple uncluttered materials.

Studio Aalto

Alvar Aalto designed the building at Tiilimäki 20 in Munkkiniemi as his own office in 1955. Because of a number of large commissions, the office needed more space to work in. The building is only a short walk from Aalto’s own house, where the office had previously been located. Studio Aalto is one of the best of Alvar Aalto’s 1950s buildings.

“You can’t create architecture in an office environment,” is how Aalto described working in an architect’s office. Aalto designed a free-form studio section for the building, and a drawing room using natural light. The building curves around a stepped, amphitheatre-style courtyard sheltered from the wind. On the upper floor there is a drawing office on a narrow plan, beautifully encircled by natural light from a band of high-level windows. In 1962-1963 the building was extended by building a dining room for the staff, the ‘Taverna’, in the courtyard behind the high brick wall, with an office above it.

Many of Aalto’s best-known works were designed here at the Studio. Alvar Aalto ran the office until his death in 1976. After that, the office continued under the leadership of Elissa Aalto until 1994. The building came into the custodianship of the Alvar Aalto Foundation in 1984 and today it houses the Alvar Aalto Foundation staff. You can visit the Studio Aalto in guided tours for groups. There are public guided tours of the Studio throughout the year.

The white-rendered, wall-like, closed-in mass of the building conceals a garden shaped like an amphitheatre in its inner courtyard. The office staff could sit on the slate steps of the amphitheatre, listen to lectures or watch slide shows projected on the white wall.

The principal space in the building is the curving studio which has a view opening onto the courtyard. Horizontal battens fixed to the high walls of the studio allowed drawings to be displayed there. The rear wall is covered with climbing plants reaching up to the high-level windows and prototypes of light fittings designed by Alvar Aalto are hung in front of the wall.

The slanting bay window of the conference room with its roof light creates the perfect conditions for examining models and drawings.

Summa paper mill and housing area in Hamina

Hamina – military history, circular town plan and the Summa paper mill

Hamina is a beautiful city, where the sights are within easy reach. The old city centre is based on an unique, circular town plan and it is surrounded by a star-shaped fortress. Visitors can enjoy a view of the city and observe the history from the ramparts of the fortifications. A restored central bastion of the fortress, the Hamina Bastion, functions as an arena for large-scale public events. Hamina Tattoo, the International Military Music Festival, takes place every other year.

The Summa paper mill and the adjoining residential area Petkele are designed by Alvar Aalto 1951–53 (ext. 1957, 1970–72) . Petkele is located outside the city centre and it was designed as a neighbourhood for the managers and workers of the paper factory. The original machine halls 1 and 2 of the mill are also designed by Aalto.

Artist community at Lake Tuusula and Villa Kokkonen in Järvenpää

The museums near the lake Tuusula display the history and the rich cultural heritage of Finland. A unique community of artists formed on the shores of Lake Tuusula in early 1900’s. Notable artists settled in the rural landscape and their works play an important role in the story of the Finnish identity. In artists’ studios of National Romantic style you can sense the historical atmosphere that generated the inspiring national spirit and the strive towards independence from Russia. Finland gained independence in 1917. Visitors can enjoy art and experience the past through artists, writers and composers of the Golden age of Finnish art. The artists’ studios takes you back in time to the National Romantic era and the other museums in the area exhibit the history of Finland in the 20th century.

Villa Kokkonen (1967—1969) is a real rarity among the private homes designed by Alvar Aalto, because Aalto designed the building as an artist’s home. The composer Joonas Kokkonen lived in Villa Kokkonen for 27 years. The architectural heart of the building is the unique combination of a grand piano and concert room.

Lake Tuusula is a perfect travel destination for it offers you plenty of interesting places to visit within easy reach. Lake Tuusula also offers great possibilities for outdoor activities in summer and in winter. A good bike route of 24 kilometres leads you around the lake in the beautiful landscape. There are lots of places for recreation close by, for example the Sarvikallio viewing point. It offers a spectacular view over the lake Tuusula, a view that inspired artists to portray this distinctively Finnish landscape in their work.

Lake Tuusula Road and the artist community

The road by the Lake Tuusula, Tuusulan Rantatie in Finnish, was part of a historical road connected to
Helsinki. It goes through the beautiful lakeside scenery all the way until the nearby city of Järvenpää. The
Lake Tuusula artist community had a major influence on the cultural history of Finland in the era of
National Romantic movement. Several artists of the golden age of Finnish art settled on the eastern bank of the lake in the late 19th and early 20th century.

The first ones to settle on the shores of Lake Tuusula were the author Juhani Aho and his artist wife Venny
Soldan-Brofeldt. In spring 1897 they rented a villa, which is now called Ahola and open as a museum. Their example inspired other artists to move there, to live and work in the peaceful surroundings close to nature.

The studio residence of painter Eero Järnefelt was built in 1901. Next year were finished the atelier of
painter Pekka Halonen, Halosenniemi, and the home of poet J.H. Erkko, Erkkola. The master composer Jean Sibelius moved with his family in 1904. Their villa is called Ainola after his wife, Aino Sibelius.

Today these five homes are open for visitors. They are located by the Lake Tuusula within a span of 5 kilometres. The Tuusulanjärvi artists’ community would have come to an end by the death of Jean Sibelius in 1957, but the community gained new momentum when Joonas Kokkonen cancelled his plans to move to Helsinki. Instead, he acquired a lakeside plot from the Town of Järvenpää at an affordable price and was able to hire the most famous architect in Finland to design his home. Villa Kokkonen is located nearby, on the other side of lake Tuusulanjärvi.