Among the Aalto sites in Alajärvi, the town hall is the largest and most prominent. The building’s facade is dominated by the large windows of the council chamber and the minimalist white walls. Construction of the Alajärvi town hall began in 1966 and it was completed a year later. The most impressive parts of the terrain-adaptive office building are the lobby and the council chamber. The council chamber is taller than the rest of the building and is adorned with windows of various sizes and shapes that let in the rays of the morning and evening sun.
Alvar Aalto approached his buildings as total works of art, where furniture and lighting were also important elements of the design. In the council chamber of the Alajärvi town hall, there are furnishings, tables, chairs, and lamps designed by Aalto, as well as seating in the foyer.
Construction of the parish hall began in 1969 and it was completed a year later. The Japanese-influenced parish hall features a lot of open, bright, and unified space. The parish hall’s minimalist white style echoes other buildings in the Aalto Center, such as the town hall and the library. The Aalto Center comprises several buildings by Aalto, all within a short walking distance from each other. Together, the buildings of the Aalto Center form a unique ensemble.
Inside the parish hall, there is a lot of open space. Aalto’s interest in Japanese culture and architecture is evident in the interior aesthetics of the parish hall. The minimalist appearance of both the interior and exterior of the parish hall contrasts with the Alajärvi Church, designed by Carl Ludwig Engel, located behind the building. Although the styles of the buildings are completely different, their color schemes are similar.
The Rovaniemi administrative and cultural center, Aalto center, is the only completed city center in Finland by Alvar Aalto, along with Seinäjoki.
The three buildings of the Aalto center – the library, Lappia Hall and the town hall – open like a fan shape towards the city center in a spacious park-like square. The library was the first to be completed in 1965. Lappia Hall was the last building that Alvar Aalto saw completed before his death. It was completed in two stages in 1972 and 1975. The design work of the town hall, completed in 1986, was led in Aalto’s office by his wife, architect Elissa Aalto.
The architectural highlights of the buildings are placed on the side of the square, where they form a spectacular entity. The upper windows of the library rise visibly from the rhythmically folded closed facade and bring natural light to the lending department. The upper parts of the stage halls of Lappia Hall rise like fells above the sleek facade line. In the town hall the council chamber has been formed like a crystalline tower, taller than the rest of the building.
In addition to the recognizable features of Aalto’s architecture, the buildings are bound together by the facade materials – light brick and ceramic tile. The materials for the interior of the buildings are well thought out, as are the furniture and lighting, which are partly from Artek’s collection, partly designed for the buildings by Aalto’s office.
The completion of the City Hall in 1986 completed Rovaniemi’s administrative and cultural center, the Aalto Center. Along with Seinäjoki, it is Alvar Aalto’s only completed civic center in Finland. The City Hall was designed based on Alvar Aalto’s sketches after his death under the direction of Elissa Aalto.
The building complex consists of several wings in different directions, which are dominated by the council hall with its sculptural tower part. In connection with the main entrance of the building, are the most important facilities of the town hall, such as the council hall, meeting rooms and the mayor’s room. In particular, the crystalline council hall stands out from the building complex as a tower higher than the rest of the building.
Like in the other buildings of Aalto Center, the interior of the City Hall consists, for example, of Lapland marble and natural-colored wood. The City Hall’s furniture and lighting are partly Artek’s production and partly designed for the building by Aalto’s office.
Kain Tapper’s environmental artwork “Birth of the Mountains” was placed in the square of the Aalto Center after the completion of the town hall in 1988.
Rovaniemi City Hall is closed for the time being due to renovations that are scheduled to be completed in 2026.
Take part on a three-day tour, where you get to spend two days in Berlin and one in Wolfsburg. On this tour you can admire and get to know the architecture, landscapes and sights accompanied by an exclusive English-speaking guide. During the tour, you will also get to experience a few interesting buildings that Alvar Aalto designed in Germany.
The tour begins by exploring Berlin, a city where there is definitely plenty to see and do. The first two days of the program provide an in-depth tour of the city’s interesting architecture and attractions. You will also get to enjoy the exciting atmosphere of the city and also do some shopping while you are at it. After taking over Berlin, the tour continues on a day trip towards the city of Wolfsburg, which has a lot to offer in particular for Aalto enthuastictics.
The Nelimarkka Museum in Alajärvi was founded by the painter and professor Eero Nelimarkka (1891-1977) in 1964. The building was designed by his friend, the architect Hilding Ekelund. Since 1995 it has functioned as the Regional Art Museum of Southern Ostrobothnia. It focuses on displaying regional Ostrobothnian art, but art education also plays an important role in its activities.
Temporary exhibitions, workshops and events for visitors of all ages are organized regularly. Since the mid-1980s the museum has also run an international residency program for artists. In the summertime you can enjoy coffee and cake in the light atmosphere of the museum’s: “Café de Nelimarkka”. The museum shop is open year-round. You can book a customized tour or a workshop at the museum. The Nelimarkka museum maintains as well the nearby Villa Nelimarkka and Villa Väinölä, located in the centre of Alajärvi.
Villa Väinölä
Alvar Aalto designed Villa Väinölä as his brother’s home and office. It is said that Aalto drew the first version of the building after his honeymoon to Italy. Villa Väinölä’s original plan, sketched in 1925, was based on drawings made by Aalto of ancient roman atriums witnessed in Italy. However, the plan was found to be too expensive and visionary to implement, so Aalto simplified the design according to his brother’s wishes, and a more affordable version of the building was completed in 1926. Aalto also designed an outbuilding at the north end of the main building, which was completed in 1938.
Väinö Aalto and his family moved away from Alajärvi in the early 1950s, and in 1952, the municipality of Alajärvi bought Villa Väinölä. During the ownership of the municipality of Alajärvi, an additional wing was added to the southern end of the building, in order to function as a reception area for a doctor’s office that operated in the Villa at the time. Villa Väinölä has at one time hosted also a tax office, a dental office and leisure offices of the municipality of Alajärvi, as well as housing and building inspection offices. The ownership of the building was moved over to the Nelimarkka Museum in 2015.
The latest renovation of Villa Väinölä was completed in the spring of 2018, and it was financed with the help of the National Board of Antiquities, Aisapari and the City of Alajärvi. Exhibitions, events and architectural residencies are currently organised at Villa Väinölä. Through the Nelimarkka Museum, the building can also be booked for meetings and private parties.
The library building, which was completed in 1965, was the first of the Rovaniemi administrative and cultural center buildings.
The Rovaniemi library consists of two connected parts: a fan-shaped library hall and an elongated, rectangular office wing. The interior design of the library followed the idea typical of Aalto’s libraries, where the library’s reading rooms were placed on a lower level than the rest of the library hall, in their own recesses. The goal of the hall’s fan-like shape is to enable the staff to have an unobstructed view of the entire hall. In addition to the library hall, the building contains, among other things, a music library, magazine rooms, an exhibition and auditorium hall, and a children’s section.
Natural light and lighting played an important role in the library’s plans. Indirect natural light is brought into the premises by various upper and roof windows and an exceptionally wide variety of fixed special lamps. This creates a great atmosphere in the building in the changing northern light, from dark winters to nightless nights in summer. Some of the furniture and lighting in the library are Artek’s standard models, but Aalto’s office also designed special furniture and at least 10 different lighting models for the building.
The Rovaniemi library is closed for the time being due to renovations that are scheduled to be completed in the summer of 2025.
During the tour you will experience some of the most iconic built environments designed by Alvar Aalto in a city that has more than earned its epithet, the Alvar Aalto capital of the world.
This tour in Jyväskylä takes you on a journey to a city featuring more works and designs from the different periods of the master architect’s career than any other location in the world. On this tour you will not only be seeing but also living the gems of Modernist architecture: sleep, eat and even swim within architecture.
During the tour you will experience some of the most iconic built environments designed by Alvar Aalto in a city that is called the capital city of Alvar Aalto’s architecture, as there’s the most Alvar Aalto building in the world. He opened his first office and started his family in Jyväskylä, he lived in the city for several years and built his beloved summer residence nearby. The city is also home to the world’s only Alvar Aalto Museum, which is located in a building designed by the architect himself.
During the tour, you will witness the different faces of Aalto’s oeuvre, from the early classicist style through the red-brick period to white monumentalism. Highlights of the tour include a stay in one of Aalto’s most significant works, Säynätsalo Town Hall, swimming in AaltoAlvari swimming hall, the oldest parts of which were designed by Aalto.
Aalto took part in a competition for a large church and parish centre announced by Seinäjoki parish in 1951, sending in an entry marked “Lakeuksien risti” (“Cross of the plains”).
Instead of placing the parish rooms under the church or in a smaller, separate building, as the other entrants had done, Aalto seized upon the big religious events commonly organized in Osthrobotnia in summer. He laid out a large piazza, loping down towards the church and girded by the parish facilities, in front of the church´s main facade. He laid out a large piazza, loping down towards the church and girded by the parish facilities, in front of the church´s main facade. This space-consuming solution obliged Aalto to exceed the prescribed construction limit by some twenty metres, which prevented the jury from awarding him a prize. The jury awarded Aalto´s entry a purchase and recommended it as the basis for implementation.
Aalto was commissioned to develop the plain further. The church was built between 1958 and 1960 and the large parish centre in front between 1964 and 1966. The church was basically build to the competition design, except that Aalto had hoped to use black granite as the facade material; for reasons of cost, however, he had to be content with brick rendered white, only the side chapel being faced with granite.
The main characteristics of the church complex are as follows: on the north side stands the campanile, 65 metres high, in the shape of a stylized cross. Monumentally vertical, visible from afar in the endless plains, it is the town´s symbol. The slightly wedge-shaped, symmetrical church interior is 47 metres long and provides seating for a congregation of 1400. The vestry lies behind the altar, and between it and the campanile is a tiny baptistery and wedding chapel with a stained-glass work by Aalto. Aalto also designed the church textiles and communion vessels.
The parish centre´s main divergence from the competition entry is the open staircase on an axis from the main facade of the church to the town hall square (built up later). This staircase separates the two wings of the building, which contain a large assembly hall, catering facilities for the congregation, a room for confirmation classes, a clubroom, offices, and several apartments for employees.
Alvar Aalto was chosen to design Ekenäs Savings Bank in 1962. The bank is located right in the center of Ekenäs town, within Raseborg city. From the market place of Ekenäs, the bank appears to be a two-storey building, but actually it has three stories altogether. The impressive marble façade, opening to the side of the market place of Ekenäs, is similar in style to the Enso-Gutzeit main building in Katajanokka, Helsinki. The other facades of the building are slammed brick. Alvar Aalto was given complete freedom in the design process; most of the interior spaces and furnishings are also his creation.
Construction began officially in the summer of 1967, and was completed in November of the same year with the roofing, followed by celebrations. The first tenants of the building gradually moved in as early as February 1968, while the bank’s operations did not move into the premises until March 1969. In 1967, the name competition for the new bank building was also announced, won by the Ekecenter – Tammikeskus. The official inauguration of the bank building was held on the 110th anniversary of the Savings Bank in August 1969. Drawings for the second phase of Aalto’s project were published in 1976. Extension work was completed in 1986 under supervision of architect Sverker Gardberg.
Ekenäs Savings Bank still operates in the building. The bank hall is located on the ground floor and a lunch restaurant called Piazza is located on the third floor of the building. The building has included restaurant services since 1968.
Aalto also designed a restaurant to the upper floor of the bank building. Nowadays restaurant Piazza, with interiors inspired by Aalto, welcomes lunch goers
Restaurant Piazza also offers, upon request, a special Bank Manager menu, alongside a brief introduction to the interesting history of the building.
The Bank Manager’s menu includes:
Appetizer served to tables (mushroom soup served in a cup)
Main course from the buffet (fish, vegetable or meat option)
Desserts served to tables (small treat)
The Bank Manager’s menu features high-quality, locally produced ingredients and includes favourite delicacies selected by the current Bank Manager at the Ekenäs Savings Bank. The price for the dinner is € 35 per person. The Piazza is also suitable for groups (a minimum of 10 people) throughout the year, from 4 pm to 8 pm on weekdays or at weekends, and also during lunch time.
In addition to the dining experience, you can also have a guided tour of the old town of Ekenäs. Guided tours can be ordered in Finnish, Swedish and English. Another design by Alvar Aalto, Villa Skeppet, is located within walking distance from the old town. Villa Skeppet will open to the public in December 2020.
Inquiries and reservations to the Piazza restaurant are handled by Päivi Purontaus, tel +358 50 387 1277, email
The first buildings at the Seminar Hill were built already in 1880’s. Konstantin Kiseleff’s redbrick buildings are the oldest buildings in the area. Seminar Hill and the Jyväskylä University Campus area is nowadays protected by law. The University area represents many historical layers and it is therefore considered to be one of the areas richness as well. It is also considered to be a good example of an area where modern and older buildings go together seamlessly.
The Jyväskylä University campus is largely made up of the buildings designed by Alvar Aalto for the Jyväskylä College of Education, later the University of Jyväskylä, in the 1950s. Aalto won the architectural competition with his URBS proposal in 1951. Various buildings were then completed all the way to the 1970’s based on Aalto’s plan. The proposal name URBS refers to a city and therefore all the buildings were placed to the area in a city-like form.
The layout, based on the winning competition proposal, is derived from the American campus principle. Originally, it consisted of buildings designed to serve both the teaching and administration of the College, including the main building and library, the teaching-practice school, the refectory and hall of residence, two gymnastics buildings, an indoor swimming pool built by the student union and subsequently extended several times, plus a residential building for the staff and a boiler house. Aalto’s original scheme forms a crescent or ’horse-shoe’ around the sports ground.
Alvar Aalto had strong ties to Lapland throughout his life. Aalto’s operations in Rovaniemi started from the ruins of the town destroyed in the Lapland War. The Second World War ended in Lapland with almost complete destruction. In Rovaniemi, 90 percent of the buildings were destroyed, and a huge reconstruction project was ahead. Alvar Aalto led the reconstruction office of the Finnish Architects’ Association.
In 1945, Aalto drew the famous reindeer antler city plan for Rovaniemi, the basic idea of which was both a strong commitment to nature and flexibility. The plan emphasizes Rovaniemi’s position as a traffic hub in Northern Finland. The plan gets its name from the figure drawn on the map. The roads leading to the north, west and south with parks around them, form the reindeer’s antlers and at the same time together with the Ounasjoki and Kemijoki rivers delimit the city center, which forms the reindeer’s head. The sports field in the center is the eye of the reindeer. Aalto’s original reindeer antler plan was not realized as such, but the figure of the reindeer is still recognizable.
Aalto’s main work in Rovaniemi is the administrative and cultural center – Aalto center – formed by the city library, the congress center Lappia Hall and the City Hall which was already founded in the reindeer antler plan. Aalto also designed residential and commercial buildings for Rovaniemi. The park-like residential area of Korkalorinne is called the Tapiola of Rovaniemi. In the center of Rovaniemi, Aalto designed several buildings for Aho’s businessman family, both for business and residential use.
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