Bus Archives - Page 3 of 4 - Visit Alvar Aalto

Wood, Water & Workshop in Kouvola

Experience the industrial Tehtaanmäki and create your own mindscape. The tour takes you to the Ankkapurha Cultural Park, besides the foams of the River Kymijoki and the Tehtaanmäki residential area. At the Art Centre Antares in the countryside sceneries of Sippola the tour culminates into a workshop and exhibition. On this tour, you can be inspired by the layers of history and create something new of your experiences.

The tour takes you to the industrial community at Tehtaanmäki and presents you the residential area designed by Alvar Aalto. The region is filled with history of the woodworking industry from the 1870s onwards. Tehtaanmäki contains the traditional and the modern – Aalto was hired in the 1930s to design the Anjala Paper Mill and homes for the mill workers. A new type of working-class world was created: verdant and communal area built near the river, providing a setting for housing, school, interests and work.

You will be guided through the residential area, where the houses are still used for their original purpose. The Anjala Paper Mill Aalto designed is also in operation. After the tour we take a boat trip along the River Kymijoki and have a cup of coffee served beside campfire. Accommodation takes place on the grounds of an old manor. In the evening you can relax in sauna by the river.

On the second day, it is your turn! You will be taken to an art workshop at the local Art Center Antares nearby. Interpretate all what you have seen and experienced, in your way and personal style.

Turku and the Office Building for Turun Sanomat Newspaper

Architect Alvar Aalto lived in Turku 1927 – 1933. This period saw the rise of a new era of architecture and furniture design. Aalto co-operated with Erik Bryggman, one of the earliest representatives of Finnish functionalist architecture, who had founded an office in Turku in early 1920s.

The office for the newspaper Turun Sanomat is an Aalto-designed office building located in city centre, constructed in 1928-29. Turku region is also home to furniture factory Korhonen, the traditional manufacturer of Artek furniture.

The Office Building for Turun Sanomat Newspaper, along with Aalto’s other works, Southwestern Finland Agricultural Cooperative Building and the Standard Apartment House, are included in the listing of Built Cultural Environments of National Importance. The international Docomomo organization also includes these sites in its list of iconic 1920s-1970s Finnish modernist sites.

Säynätsalo Town Hall

The invitational competition for Säynätsalo Town Hall was held in 1949. Aalto won the competition with an entry marked ‘Curia’, and was immediately commissioned to prepare working drawings. Completed in 1952, the building is one of Aalto’s most admired designs. The dominant element of the building is the council chamber, which soars tower-like above the complex. The main material used for the exterior as well as for the representative areas of the interior is bare red brick.

The building has a variety of functions. Aalto laid out four two-storey wings around a square courtyard set one storey higher than its surroundings. The raised courtyard provides access to the former municipal administrative offices and the library, which continues to serve as the local library for Säynätsalo. The office spaces now function as art galleries and exhibition areas. The municipal officials’ residences located in the west wing of the building now primarily serve as accommodation. The spaces on the lowest floor still serve their original purpose as rental commercial spaces for local businesses. During the summer, the Town Hall keeps its doors open daily for visitors, and guided tours are conducted in Finnish and English.

Säynätsalo Town Hall offers guest rooms and apartments for overnight stay and also for longer-term accommodation for researchers and students. The Aalto Residency Programme is an international residency programme focused on architecture and design. The residence is designed mainly for students, researchers, or professionals of architecture and design, however representatives of other arts and sciences are also welcome. The residence apartments are located in the residential wing of the town hall. Read more about the Aalto Residency Programme here.

Paimio Sanatorium

Nestled in a lush pine forest outside the small Finnish town of Paimio, the Paimio Sanatorium by Alvar and Aino Aalto stands serenely as in a world of its own, a cathedral dedicated to healing. This modernist masterpiece from 1933, is considered as one of the most revolutionary buildings of its time.

The building was of key importance to the international career of architects Alvar and Aino Aalto. Together with Vyborg (Viipuri) Library, completed two years later, it gave the Aaltos an international profile. Finnish architecture was no longer merely the receiver of influences from outside.

The building, constructed on the basis of their win in an architectural competition resolved in 1929, was groundbreaking. A tuberculosis sanatorium was particularly suitable for a building which followed the tenets of the new Functionalism, where bold concrete structures and state-of-the-art building services were inseparable elements of architecture and practicality.

Aalto designed the interior colour scheme, including the yellow floors in the main staircase, the colourful walls in the corridors, the dark ceilings in the patients’ rooms and the orange balcony rails, in conjunction with the decorative artist Eino Kauria.

The entire building complex, grouped together in several parts according to use, was constructed in accordance with Aalto’s philosophy, right down to the smallest details of the furniture. As far as the loose furniture was concerned, a good many items designed specifically for the sanatorium were used, as well as standard products which were already available. According to the idea of standardisation, which belonged to the spirit of the times, these items were also planned for use elsewhere – for example, many of the light fittings ended up in the catalogue of the Taito metalworks.

The pieces of furniture became key products for Artek, which was founded in 1935. The bent plywood Paimio chair in particular has become an international design icon. On the other hand, the three-legged stool, which is the same age as the sanatorium, was not included in the first phase of the furniture supplied by the Otto Korhonen furniture works. The furniture in the patients’ rooms was dominated by tubular-steel construction, soon to be spurned by the Aaltos.

Paimio Sanatorium is considered as one of the modernist masterpieces, key site of architecture, furniture design and innovation in Finland. The Sanatorium represents humane architecture of well-being, a philosophy that continues to this day.

The site is open to public on guided tours and through various cultural activities throughout the year, highlight being the annual Spirit of Paimio – design & architecture conference. Some of the original patient rooms have been renovated into Retreat rooms, which enable visitors to stay overnight in the famous main building. This offers unique opportunity to truly experience the architectural details, and play of light, throughout the day. There is a restaurant on site that is open to public within the general opening hours of the sanatorium. Various areas in the building are also available to rent out for private functions.

Muuratsalo Experimental house

The Muuratsalo Experimental House, Alvar and Elissa Aalto’s summer home, stands on the western shore of the island of Muuratsalo in Lake Päijänne. Besides the house itself, also in the grounds are a woodshed and smoke sauna.

The Experimental House consists of the main building (1952–54) and a guestroom-wing (1953). The L-shaped main building and walls form an internal courtyard which is open to the south and west. In the courtyard, the house façade material ranges from white-painted plastered wall to red brick. The heart of the patio is an open fireplace in the centre of the courtyard.

The smoke sauna is in a sandy cove on the lake shore. It was built on rocks, with logs from trees felled on site. Besides the steam room, the sauna building also has a changing room. Alvar Aalto made sketches for the sauna and Elissa Aalto created the working drawings.

Aalto designed the motorboat Nemo propheta in patria, which Elissa and Alvar Aalto used to get to the Experimental House in the summer. The boat is now in the Alvar Aalto Foundation’s collection.

Find out more about the architecture of the building on the Alvar Aalto Foundation website. The Muuratsalo Experimental House can only be visited in the summer. Visits and guided tours are managed by the Aalto2 Museum Centre.

Church of the Cross

On the old church site of Kolkanmäki rises the architecturally impressive tower of the Church of the Cross, built 1978. This vital element of the Lahti cityscape is a masterwork of Alvar Aalto, elegantly mirroring the city hall – located on the southern end of an axis crossing the market square – designed by Eliel Saarinen, another master architect.

As the primary church of Lahti, the Church of the Cross is a well-known place of worship, clerical procedures and spiritual activities. Master organists from around the world have played the church’s 53-stop pipe organ, constructed at Veikko Virtanen’s workshop. The church serves as important concert venue and studio due to its great acoustic design.

History

Lahti’s Kolkkamäki Hill was occupied from 1890 to 1977 by a classical Finnish wooden church, until it was torn down by the Evangelical-Lutheran congregations of Lahti to make way for a new church. Alvar Aalto was invited to design a new central church for Keski-Lahti.

The decision to demolish the old church and replace it with a new one sparked a religious controversy, which was unique in the history of Finnish churches due to its scale and ferocity. Complaints and statements to various authorities regarding Aalto’s plans lasted nearly seven years.

When Alvar Aalto started to plan the church, he visited the future church site. The preservation of trees, the closeness to nature, and the opening of the church into nature were important to Aalto. This worked well with Aalto’s intent to have the Church of the Cross act as a Getsemane – a place of prayer and silence in the middle of the busy, modern Lahti. The church’s triangular layout was the first of its kind in Finland.

The church’s southern wall boasts a cross-shaped cluster of 52 windows. The simple cross on the altar wall was fashioned from a support beam of the old church’s belfry. The concrete belfry of the Church of the Cross rises 40 metres up directly from the structure. It holds the three bells of the previous church, which remain in use to this day.

Varkaus – Alvar Aalto’s Architecture and Industrial Heritage by the Shores of Saimaa

Varkaus offers a fascinating blend of industrial heritage, Alvar Aalto’s architecture, and the serene beauty of the Saimaa lake district. This historic industrial town is where Aalto began his design work in the mid-1930s, leaving a lasting impact over the following decade. Exploring Varkaus is a unique opportunity to see how Aalto incorporated the principles of functionalism into everyday life and industrial settings.

Aalto’s contributions to Varkaus include a wide range of designs: industrial buildings, urban plans, and standardized type houses, many of which still serve as homes for local residents. The prefabricated houses produced at the Varkaus factory were distributed widely across Finland, supporting the nation’s post-war reconstruction and promoting practical, affordable living solutions. Varkaus is a testament to Aalto’s vision for a more equal and functional society.

Industrial Innovation and Excellence in Varkaus
With over 200 years of industrial history, Varkaus has cultivated expertise in a variety of fields, from ironworks and engineering to shipbuilding, wood processing, and paper production. Today, the town is also known for its cutting-edge energy technology. Part of the old industrial area has been transformed into a modern hub for aquaculture, producing environmentally friendly rainbow trout in the pristine waters of Lake Saimaa—a local specialty worth tasting.

Culture and Nature in Perfect Balance
In Varkaus, history, modern architecture, and lush nature come together in a harmonious urban landscape. The Saimaa lake district invites visitors to experience its tranquil waters and natural beauty, while local Savonian cuisine adds a delightful flavor to any visit.

A compelling addition to the town’s attractions is the Museum of Mechanical Music, where you can explore the fascinating world of mechanical music from the 19th century to the present day. This internationally renowned museum is a must-see for visitors of all ages.

In Varkaus, Alvar Aalto’s vision, industrial heritage, and the tranquility of nature combine to create a destination that captivates both architecture enthusiasts and those seeking a fresh perspective on Finnish history and culture.

Welcome to Varkaus – discover the harmony of Alvar Aalto’s design and industrial heritage by the shores of Lake Saimaa!

Summa paper mill and housing area in Hamina

Hamina – military history, circular town plan and the Summa paper mill

Hamina is a beautiful city, where the sights are within easy reach. The old city centre is based on an unique, circular town plan and it is surrounded by a star-shaped fortress. Visitors can enjoy a view of the city and observe the history from the ramparts of the fortifications. A restored central bastion of the fortress, the Hamina Bastion, functions as an arena for large-scale public events. Hamina Tattoo, the International Military Music Festival, takes place every other year.

The Summa paper mill and the adjoining residential area Petkele are designed by Alvar Aalto 1951–53 (ext. 1957, 1970–72) . Petkele is located outside the city centre and it was designed as a neighbourhood for the managers and workers of the paper factory. The original machine halls 1 and 2 of the mill are also designed by Aalto.

Artist community at Lake Tuusula and Villa Kokkonen in Järvenpää

The museums near the lake Tuusula display the history and the rich cultural heritage of Finland. A unique community of artists formed on the shores of Lake Tuusula in early 1900’s. Notable artists settled in the rural landscape and their works play an important role in the story of the Finnish identity. In artists’ studios of National Romantic style you can sense the historical atmosphere that generated the inspiring national spirit and the strive towards independence from Russia. Finland gained independence in 1917. Visitors can enjoy art and experience the past through artists, writers and composers of the Golden age of Finnish art. The artists’ studios takes you back in time to the National Romantic era and the other museums in the area exhibit the history of Finland in the 20th century.

Villa Kokkonen (1967—1969) is a real rarity among the private homes designed by Alvar Aalto, because Aalto designed the building as an artist’s home. The composer Joonas Kokkonen lived in Villa Kokkonen for 27 years. The architectural heart of the building is the unique combination of a grand piano and concert room.

Lake Tuusula is a perfect travel destination for it offers you plenty of interesting places to visit within easy reach. Lake Tuusula also offers great possibilities for outdoor activities in summer and in winter. A good bike route of 24 kilometres leads you around the lake in the beautiful landscape. There are lots of places for recreation close by, for example the Sarvikallio viewing point. It offers a spectacular view over the lake Tuusula, a view that inspired artists to portray this distinctively Finnish landscape in their work.

Lake Tuusula Road and the artist community

The road by the Lake Tuusula, Tuusulan Rantatie in Finnish, was part of a historical road connected to
Helsinki. It goes through the beautiful lakeside scenery all the way until the nearby city of Järvenpää. The
Lake Tuusula artist community had a major influence on the cultural history of Finland in the era of
National Romantic movement. Several artists of the golden age of Finnish art settled on the eastern bank of the lake in the late 19th and early 20th century.

The first ones to settle on the shores of Lake Tuusula were the author Juhani Aho and his artist wife Venny
Soldan-Brofeldt. In spring 1897 they rented a villa, which is now called Ahola and open as a museum. Their example inspired other artists to move there, to live and work in the peaceful surroundings close to nature.

The studio residence of painter Eero Järnefelt was built in 1901. Next year were finished the atelier of
painter Pekka Halonen, Halosenniemi, and the home of poet J.H. Erkko, Erkkola. The master composer Jean Sibelius moved with his family in 1904. Their villa is called Ainola after his wife, Aino Sibelius.

Today these five homes are open for visitors. They are located by the Lake Tuusula within a span of 5 kilometres. The Tuusulanjärvi artists’ community would have come to an end by the death of Jean Sibelius in 1957, but the community gained new momentum when Joonas Kokkonen cancelled his plans to move to Helsinki. Instead, he acquired a lakeside plot from the Town of Järvenpää at an affordable price and was able to hire the most famous architect in Finland to design his home. Villa Kokkonen is located nearby, on the other side of lake Tuusulanjärvi.

Alvar Aalto’s Villa Kokkonen

Villa Kokkonen (1967 – 1969) is a real rarity among the private homes designed by Alvar Aalto, because Aalto designed the building as an artist’s home. The composer Joonas Kokkonen lived in Villa Kokkonen for 27 years. The architectural heart of the building is the unique combination of a grand piano and concert room. The Tuusulanjärvi artists’ community would have come to an end by the death of Jean Sibelius in 1957, but the community gained new momentum when Joonas Kokkonen cancelled his plans to move to Helsinki. Instead, he acquired a lakeside plot from the Town of Järvenpää at an affordable price and was able to hire the most famous architect in Finland to design his home.

Villa Kokkonen is a single-storey and multifaceted wooden house that is immersed in natural light. The house itself is worth seeing.

In Villa Kokkonen you can experience the past and the present of the artist’s home. Villa Kokkonen was also one of the first Finnish houses to be selected in the network of Iconic Houses in 2012. The network includes some of the most famous house museums in the world.

Sunila Sulphate Pulp Mill and Residential Area

The Sunila pulp mill and the adjoining residential area designed by Alvar Aalto are masterpieces of modern architecture. The pulp mill was said to be the most beautiful in the world and it was presented at the World’s Fair of Paris in 1937 and of New York in 1939. The mill or the head office with the original interior designed by Aino Aalto unfortunately cannot be visited.

The Sunila project (1936–38, 1947, 1951–54) is the largest that was completed according to the original plans of Aalto. Sunila is located on the estuary of river Kymi, by the Gulf of Finland. The residential area is spacious and close to nature, the houses blend in the pine trees and green fields. In addition to the 12 terraced houses and apartment buildings there is the manager’s residence Kantola, a sauna by the sea and several maintenance buildings. The Sunila residential area is protected by law due to its architectural values.

One of the largest industry investments of its time

Sunila is the most extensive project realised closely according to Aalto’s plans. The area is considered to be a culturally valuable built environment and the regulations in the detailed regional plan guarantees the architectural conservation.

The southeastern Finland industrialized rapidly when several sawmills were built on river Kymi from the 1870s onwards. In the economic boom of the mid-thirties five companies within the paper industry decided to start together a new sulphate cellulose mill in Sunila. There was also a need for housing for the employees of the new company.

One of the five companies cooperating in the pulp mill project was Ahlström, whose manager, Harry Gullichsen, was a friend of the architect Alvar Aalto. Gullichsen was also chairman of the board of the Sunila Company and thus influential in appointing Aalto for the project. At that time Aalto had already gained international fame. The Aalto-Gullichsen friendship evolved around a common interest in modern ideas about architecture, art, technology and social progress. Lauri Kanto, the technical manager at the nearby Halla pulp mill, was appointed leader of the planning team, with Aulis Kairamo as chief engineer. These four men worked in unison to build an industrial community with state-of-the-art technology, housing and social facilities. The building of the mill began in 1936, the residential area in 1937 and pulp production started in 1938.

Sunila, the first “Forest Town” in Finland was a model for planning the housing in the post-war Finland. Until the 1960s Sunila was as a traditional and hierarchical industrial community, yet a modern neighbourhood with welfare services. The company took care of its employees for instance by offering health insurance fund and enabling sport activities. The rowing team of the local sport club Sunilan Sisu won the bronze medal at the 1952 Helsinki Olympics.

The Sunila town plan is based on the free placement of buildings and the interaction between the built and the natural environment. The arrangement of buildings is fan-shaped, so that there is a landscape view from every apartment. The surrounding nature is lush and barren at the same time, characterized by pines.

Go east from Helsinki and visit the Kotka – Hamina region!

The Kotka – Hamina region is situated on the southeast coast of Finland, only 1 hour drive from Helsinki. The cities of Kotka and Hamina and the towns nearby are attractive seaside destinations with relaxed lifestyle and maritime culture. See the interesting exhibitions of the Maritime Centre Vellamo, explore the history outdoors in the Salpa defence line and the former military zone islands. Enjoy the river Kymi, the seaside nature and urban gardens, visit the beautiful churches and other sights. Experience authentic landscapes and historical milieus. We know all this sounds a bit too much to take, but hey, we recommend to stay a little longer with us!

Seinäjoki Civic Centre

As an architectural whole, the Seinäjoki Civic Centre, or Administrative and Cultural Centre of Seinäjoki, is unique on a global scale. Seinäjoki is also the location of the Defence Corps Building built in 1924-26, one of the rare works from Aalto’s youth. The Administrative and Cultural Centre consists of six buildings and the Civic Square completed in 1988.

Aalto Centre

The Administrative and Cultural Centre in Seinäjoki emerged from two architectural competitions, and it was built in 1958 to 1988.

Alvar Aalto won a church architecture competition arranged by the Parish of Seinäjoki with his plan “Lakeuksien risti”, Cross of the Plains, in 1951. Seven years later, he won the design competition for the centre of Seinäjoki. Aalto was commissioned to design the town hall, library, theatre and government office building, all of which he had outlined in his competition suggestion.

Aalto’s architectural office designed not only the buildings of the Administrative and Cultural Centre but also the outdoor lighting fixtures, barriers, surface materials for yard areas and plants for the Centre.

Civic Square in Seinäjoki

Alvar Aalto’s plans for the centre of Seinäjoki were based on monumental but easily approachable squares and other open areas between public buildings. When Aalto was young, he admired the antique cultures, and this is reflected as a forum which was also influenced by the Italian piazzas.

The buildings around the Civic Square in Seinäjoki – the Town hall, Library and Seinäjoki theatre – border the square paved with granite paving and cobblestone. According to Aalto’s suggestion, the square was designed for conferences and summer meetings, and of course as a meeting place of citizens. Alvar Aalto wished that squares intended for the assembly of people would promote a “new renaissance” for the forming and exchange of opinions through social interaction.

The Aalto Centre was built gradually. The last part to be completed was the Civic Square with its fountain and plantings. The paving of the square continues on the eastern side across the street, linking the administrative and cultural buildings to the church buildings. This constitutes an overall work of art of six buildings and the square.