Experience: Archipelago

Turku and the Office Building for Turun Sanomat Newspaper

Architect Alvar Aalto lived in Turku 1927 – 1933. This period saw the rise of a new era of architecture and furniture design. Aalto co-operated with Erik Bryggman, one of the earliest representatives of Finnish functionalist architecture, who had founded an office in Turku in early 1920s.

The office for the newspaper Turun Sanomat is an Aalto-designed office building located in city centre, constructed in 1928-29. Turku region is also home to furniture factory Korhonen, the traditional manufacturer of Artek furniture.

The Office Building for Turun Sanomat Newspaper, along with Aalto’s other works, Southwestern Finland Agricultural Cooperative Building and the Standard Apartment House, are included in the listing of Built Cultural Environments of National Importance. The international Docomomo organization also includes these sites in its list of iconic 1920s-1970s Finnish modernist sites.

Finlandia Hall

Finlandia Hall was completed in Helsinki’s city centre in 1971 and the extra wing in 1975. The building was intended for congresses and concerts.

The location of Finlandia Hall is part of the plan for Helsinki’s city centre that Aalto made in the 1960s. The building was intended to be one of a cluster of cultural building around Töölö Bay. In the unrealised plan the main traffic artery into Helsinki was on the opposite side of the Bay. The building’s main façade faces in that direction.

Aalto wanted the interior and exterior marble facings to create a link with the culture of the Mediterranean countries. The details of the furnishings, including the furniture and light fittings, were carefully designed to create an integrated whole.

In 1962 the Helsinki city authorities commissioned Aalto to design a concert and congress building as the first part of his great centre plan. The Finlandia Hall was completed nine years later. Even the earliest plans show the main characteristics of the final solution. One of the most conspicuous alterations involved the chamber music room, originally intended to soar like the main auditorium above the main building mass.

The Finlandia Hall was adapted strictly to Aalto’s centre plan, with its main (eastern) facade turned towards the projected Terrace Square and the car entrance on the bottom level, intended to continue in the form of a tunnel to other cultural buildings along the shore of Töölö Bay. At this level each section’s own access stair can be reached by car. The next storey, or entrance level, with doors opening directly into Hesperia Park, is dominated by the entrance hall, and also contains cloakrooms and other service space.

A broad staircase leads up to the foyers with entrances to the large and small auditorium, the restaurant, etc. Smaller staircases (one of which forms a visible exterior motif in the east facade) lead from the main foyer to the gallery-like balcony foyer and the doors to the main auditorium’s balcony. Principally responsible for the design of the interiors at Finlandia Hall were the interior designer Pirkko Söderman and the architect Elissa Aalto.

The small chamber music room, which has adjustable, shield-shaped acoustic screens attached to the ceiling, seats 350 people; the main auditorium seats 1,750.

The Finlandia Hall was inaugurated in December 1971. Planning of a congress section began even before the main wing was completed; the congress wing was ready for use as early as 1975. The idea was to improve the working conditions for conferences, an important aspect of the building’s use.

The congress wing, linked to the south end of the main building, contains a large foyer in addition to conference rooms and halls of various sizes. The west facade of the wing has large windows and rounded, concave hollows to make space for some of the old trees growing on the site – and to enliven the facade.

Interior and Furnishing of the Savoy Restaurant

Aino and Alvar Aalto designed the interior of Savoy Restaurant, which occupies a commercial building in the centre of Helsinki. The restaurant’s furniture was commissioned from Artek. The Savoy has mostly kept its original appearance and is still a restaurant.

A. Ahlström Osakeyhtiö commissioned the commercial and office building called the Industrial Palace on the South Esplanade in 1937. Aino and Alvar designed the top-floor restaurant and the furnishings for the function rooms on the floor beneath it.

The Savoy Vase

In 1936, Alvar Aalto took part in an invited exhibition held by the Karhula-Iittala glass factory. His series of glass works “Eskimoerindens skinnbuxa” (The Eskimo Woman’s Leather Breeches) won the competition. These winning vases were first displayed to the public at the Paris World Exposition in 1937. One of the models was also chosen to be part of the new Restaurant Savoy’s furnishings. This design of vase came to be known by the name of the restaurant – Savoy.

Mill Manager’s Residence Kantola and Seaside Sauna in Sunila

Former mill manager’s house Kantola was built in 1937, and it’s located in the residential area of Sunila, in the city of Kotka. Kantola has its own park-like yard with pine trees and a unique view towards the sea and the Sunila pulp mill. Sunila mill was once told to be the most beautiful mill in the world.

Kantola is available for groups to visit all the year round, but the visit must be booked in advance. Events held in Kantola may affect the availability. Kantola’s spaces are also available for meetings and get-togethers, and there is plenty of beautiful and unique space to set up an exhibition or some other event in the main building or the yard. You can use Kantola for small private meetings or bigger events up to 80 people. There is a seaside sauna which is made from logs, with room for 10 people. The view from the sauna’s terrace is wonderful, when looking at the mill’s silhouette and lights against the night sky.

Enso-Gutzeit Co. Headquarters

The Enso-Gutzeit Headquarters building was completed in the centre of Helsinki, in a prominent place in the Southern Harbour, in 1962. Now Stora Enso’s Headquarters, the building is one of Aalto’s most controversial works.

Aalto wanted to design a new head-office building to be part of Helsinki’s shoreline silhouette. The white Carrara marble chosen as the surface material links the building with the row of white facades on the North Esplanade. The building has six floors above ground level. The receding top floor creates room for a roof terrace. The building’s main entrance is through a portico.

The furnishings were carefully designed, right down to the smallest detail. Many of the pieces of furniture and light fittings were designed specifically for the building.

House of Culture

The House of Culture was completed in 1958 close to the centre of Helsinki. It was designed as a multi-purpose building for the Communist Party of Finland. Apart from the concert hall, the building was intended to accommodate a variety of cultural activities.

The concert hall and theatre are in the redbrick, fan-shaped section of the building, and the office wing is in the rectangular section behind the copper façade. The main entrance is in a low section connecting the other two. The low canopy projecting over the entrance courtyard marks it off from the street, and links the parts of the building together.

With its Aalto furnishings and light fittings and its wealth of details, the House of Culture is protected by the Act on the Protection of Buildings. The building is in use as a concert and event venue.