Paimio Sanatorium

Nestled in a lush pine forest outside the small Finnish town of Paimio, the Paimio Sanatorium by Alvar and Aino Aalto stands serenely as in a world of its own, a cathedral dedicated to healing. This modernist masterpiece from 1933, is considered as one of the most revolutionary buildings of its time.

The building was of key importance to the international career of architects Alvar and Aino Aalto. Together with Vyborg (Viipuri) Library, completed two years later, it gave the Aaltos an international profile. Finnish architecture was no longer merely the receiver of influences from outside.

The building, constructed on the basis of their win in an architectural competition resolved in 1929, was groundbreaking. A tuberculosis sanatorium was particularly suitable for a building which followed the tenets of the new Functionalism, where bold concrete structures and state-of-the-art building services were inseparable elements of architecture and practicality.

Aalto designed the interior colour scheme, including the yellow floors in the main staircase, the colourful walls in the corridors, the dark ceilings in the patients’ rooms and the orange balcony rails, in conjunction with the decorative artist Eino Kauria.

The entire building complex, grouped together in several parts according to use, was constructed in accordance with Aalto’s philosophy, right down to the smallest details of the furniture. As far as the loose furniture was concerned, a good many items designed specifically for the sanatorium were used, as well as standard products which were already available. According to the idea of standardisation, which belonged to the spirit of the times, these items were also planned for use elsewhere – for example, many of the light fittings ended up in the catalogue of the Taito metalworks.

The pieces of furniture became key products for Artek, which was founded in 1935. The bent plywood Paimio chair in particular has become an international design icon. On the other hand, the three-legged stool, which is the same age as the sanatorium, was not included in the first phase of the furniture supplied by the Otto Korhonen furniture works. The furniture in the patients’ rooms was dominated by tubular-steel construction, soon to be spurned by the Aaltos.

Paimio Sanatorium is considered as one of the modernist masterpieces, key site of architecture, furniture design and innovation in Finland. The Sanatorium represents humane architecture of well-being, a philosophy that continues to this day.

The site is open to public on guided tours and through various cultural activities throughout the year, highlight being the annual Spirit of Paimio – design & architecture conference. Some of the original patient rooms have been renovated into Retreat rooms, which enable visitors to stay overnight in the famous main building. This offers unique opportunity to truly experience the architectural details, and play of light, throughout the day. There is a restaurant on site that is open to public within the general opening hours of the sanatorium. Various areas in the building are also available to rent out for private functions.

Muuratsalo Experimental house

The Muuratsalo Experimental House, Alvar and Elissa Aalto’s summer home, stands on the western shore of the island of Muuratsalo in Lake Päijänne. Besides the house itself, also in the grounds are a woodshed and smoke sauna.

The Experimental House consists of the main building (1952–54) and a guestroom-wing (1953). The L-shaped main building and walls form an internal courtyard which is open to the south and west. In the courtyard, the house façade material ranges from white-painted plastered wall to red brick. The heart of the patio is an open fireplace in the centre of the courtyard.

The smoke sauna is in a sandy cove on the lake shore. It was built on rocks, with logs from trees felled on site. Besides the steam room, the sauna building also has a changing room. Alvar Aalto made sketches for the sauna and Elissa Aalto created the working drawings.

Aalto designed the motorboat Nemo propheta in patria, which Elissa and Alvar Aalto used to get to the Experimental House in the summer. The boat is now in the Alvar Aalto Foundation’s collection. 

Find out more about the architecture of the building on the Alvar Aalto Foundation website. The Muuratsalo Experimental House can only be visited in the summer. Visits and guided tours are managed by the Aalto2 Museum Centre.

Church of the Cross

On the old church site of Kolkanmäki rises the architecturally impressive tower of the Church of the Cross, built 1978. This vital element of the Lahti cityscape is a masterwork of Alvar Aalto, elegantly mirroring the city hall – located on the southern end of an axis crossing the market square – designed by Eliel Saarinen, another master architect.

As the primary church of Lahti, the Church of the Cross is a well-known place of worship, clerical procedures and spiritual activities. Master organists from around the world have played the church’s 53-stop pipe organ, constructed at Veikko Virtanen’s workshop. The church serves as important concert venue and studio due to its great acoustic design.

History

Lahti’s Kolkkamäki Hill was occupied from 1890 to 1977 by a classical Finnish wooden church, until it was torn down by the Evangelical-Lutheran congregations of Lahti to make way for a new church. Alvar Aalto was invited to design a new central church for Keski-Lahti.

The decision to demolish the old church and replace it with a new one sparked a religious controversy, which was unique in the history of Finnish churches due to its scale and ferocity. Complaints and statements to various authorities regarding Aalto’s plans lasted nearly seven years.

When Alvar Aalto started to plan the church, he visited the future church site. The preservation of trees, the closeness to nature, and the opening of the church into nature were important to Aalto. This worked well with Aalto’s intent to have the Church of the Cross act as a Getsemane – a place of prayer and silence in the middle of the busy, modern Lahti. The church’s triangular layout was the first of its kind in Finland.

The church’s southern wall boasts a cross-shaped cluster of 52 windows. The simple cross on the altar wall was fashioned from a support beam of the old church’s belfry. The concrete belfry of the Church of the Cross rises 40 metres up directly from the structure. It holds the three bells of the previous church, which remain in use to this day.

Varkaus – Alvar Aalto’s Architecture and Industrial Heritage by the Shores of Saimaa

Varkaus offers a fascinating blend of industrial heritage, Alvar Aalto’s architecture, and the serene beauty of the Saimaa lake district. This historic industrial town is where Aalto began his design work in the mid-1930s, leaving a lasting impact over the following decade. Exploring Varkaus is a unique opportunity to see how Aalto incorporated the principles of functionalism into everyday life and industrial settings.

Aalto’s contributions to Varkaus include a wide range of designs: industrial buildings, urban plans, and standardized type houses, many of which still serve as homes for local residents. The prefabricated houses produced at the Varkaus factory were distributed widely across Finland, supporting the nation’s post-war reconstruction and promoting practical, affordable living solutions. Varkaus is a testament to Aalto’s vision for a more equal and functional society.

Industrial Innovation and Excellence in Varkaus
With over 200 years of industrial history, Varkaus has cultivated expertise in a variety of fields, from ironworks and engineering to shipbuilding, wood processing, and paper production. Today, the town is also known for its cutting-edge energy technology. Part of the old industrial area has been transformed into a modern hub for aquaculture, producing environmentally friendly rainbow trout in the pristine waters of Lake Saimaa—a local specialty worth tasting.

Culture and Nature in Perfect Balance
In Varkaus, history, modern architecture, and lush nature come together in a harmonious urban landscape. The Saimaa lake district invites visitors to experience its tranquil waters and natural beauty, while local Savonian cuisine adds a delightful flavor to any visit.

A compelling addition to the town’s attractions is the Museum of Mechanical Music, where you can explore the fascinating world of mechanical music from the 19th century to the present day. This internationally renowned museum is a must-see for visitors of all ages.

In Varkaus, Alvar Aalto’s vision, industrial heritage, and the tranquility of nature combine to create a destination that captivates both architecture enthusiasts and those seeking a fresh perspective on Finnish history and culture.

Welcome to Varkaus – discover the harmony of Alvar Aalto’s design and industrial heritage by the shores of Lake Saimaa!

Finlandia Hall

Step Iinto an experience

Finlandia Hall is one the most important architectural attractions in Helsinki. Alvar Aalto’s design was finished in 1971 in its beautiful central location by the Töölö Bay.

As the name indicates, Finlandia Hall was designed to be a symbol for Finland. Aalto originally made plans for the whole Töölö Bay area in 1962. Aalto designed Finlandia Hall, like many of his buildings, as a complete work of art including the interior. The lights, door handles, chairs and other furniture were designed by Aalto and his architect bureau. They constitute an essential part of the full masterpiece known as Finlandia Hall and definitely make the inside of the building worth a visit as well.

The renovated Finlandia Hall will open as an exciting event venue in January 2025. Under the Finlandia Experience concept there will be an experiential exhibition, a unique Design Shop, a wine cafe and the so-called “mini hotel” as two former employees’ apartments have restored as accommodation facilities. In addition, for the first time, a bistro-type food and cocktail restaurant open to the public will be opened in the legendary Finlandia Hall building. Finlandia Hall’s permanent exhibition opening beginning of summer 2025 takes visitors on an experiential journey into the diversity of architecture and creativity of Alvar Aalto, Aino Aalto and Elissa Aalto.

Step into architecturally fascinating experiences where only imagination is the limit. Experience unique event venues in Helsinki, near the beautiful scenery of Töölönlahti Bay. Welcome to the most memorable experiences of Finlandia Hall and Little Finlandia.

Interior and Furnishing of the Savoy Restaurant

Aino and Alvar Aalto designed the interior of Savoy Restaurant, which occupies a commercial building in the centre of Helsinki. The restaurant’s furniture was commissioned from Artek. The Savoy has mostly kept its original appearance and is still a restaurant.

A. Ahlström Osakeyhtiö commissioned the commercial and office building called the Industrial Palace on the South Esplanade in 1937. Aino and Alvar designed the top-floor restaurant and the furnishings for the function rooms on the floor beneath it.

The Savoy Vase

In 1936, Alvar Aalto took part in an invited exhibition held by the Karhula-Iittala glass factory. His series of glass works “Eskimoerindens skinnbuxa” (The Eskimo Woman’s Leather Breeches) won the competition. These winning vases were first displayed to the public at the Paris World Exposition in 1937. One of the models was also chosen to be part of the new Restaurant Savoy’s furnishings. This design of vase came to be known by the name of the restaurant – Savoy.

Helsinki Energy Office Building

Helsinki Energy Office Building was designed for Helsinki Energy, former The Office Building of the Helsinki City Electricity Company. It is located in the the city centre of Helsinki, in Kamppi area. The building’s location is part of Aalto’s city-centre plan from 1961. Together with Finlandia Hall, Helsinki Energy Office Building is the only building realised part of Aalto’s city-centre plan. The designing process started in 1965 and the building finished in 1973.

Aalto designed the new building to form an integrated architectonic whole with the electricity substation already on the site from 1939. The electricity substation was designed by Gunnar Tacher. The buildings are linked by the line of their roofs. Therefore Helsinki Energy Office Building is a good example of the seamlessly combination of a new building with an earlier one. Helsinki Energy Office Building is nowadays a substantial part of the Kamppi cityscape. 

Apart from housing the company’s the head office, the building also has the main electricity and heat-generation control rooms, the electricity substation and the customer-service department. The street level was to be the customer-service floor, while the upper floors were reserved for offices. There were conference rooms on the top floor, plus the staff restaurant. The street-level customer-service hall got natural light from skylights, which resemble the ones that were also used in the National Pensions Institute building in Helsinki earlier.

Helsinki Energy Office Building was also a total work of art for Aalto’s office, therefore all the original interiors were also designed by Aalto. Over the years the interiors have been changed but in some spaces they have restored the furnishings back to the originals. The façades of the building are corrugated sheet copper and the current façade lighting is from the 1990s. Glazed blue and white ceramic tiles designed by Aalto were used for the interior walls of the building. 

Helsinki Energy Office Building is well-preserved in its original state as it has been in the care of its single owner for over 40 years. The building is still used for its original purpose and only a few alterations have been made, so Helsinki Energy Office Building has certainly withstood the passage of time well.

The surrounding areas in Kamppi district have gone through some changes over the years. The latest change being the Kamppi Shopping centre that was built in 2006. Helsinki Energy Office Building is nowadays linked partially to the centre for example with its underground passage. After the renovations, a coffee shop was also opened at the Helsinki Energy Office Building customer-service floor.

National Pensions Institute, Main Building

National Pensions Institute (The Social Insurance Institution of Finland KELA) Head Office is close to the centre of Helsinki. The richly nuancedly monumental main building represents the best of Aalto’s office buildings. The building (1953-1956) is still in its original use.

Aino and Alvar Aalto won the design competition for the head office in 1948. New designs were made when the first plot was changed for another. The floor plan for the building on the new triangular plot was divided into smaller building units, which reduced the impression of a large building mass. A raised inner courtyard sheltered from the traffic in the street is left in the middle of the building. Its character as a public building has been emphasized by its exceptional siting in contrast to the neighbouring buildings. The building is split-level and is lower on the park side.

The complex comprises 310 rooms and 22,500 m2 of floor space. The facade materials are red brick, copper, and black granite. The building is distinguished throughout by workmanship and materials of high quality: all details are carefully studied and the interior design is exquisite, especially that of the management floor and the conference rooms. Aalto developed several new variants of his standard furniture for the Institute, a whole series of new light fittings, ceramic wall claddings, and a variety of textiles.

The general public has access only to the customer service hall, three stories high and lit by three prism-shaped lantern skylights. This room originally contained twenty-eight unroofed interview cubicles in which applicants could present their cases undisturbed to the staff. Of special interest is the tiny library, it is a miniature version of Aalto’s renowned early work, the Viipuri Library.

The intended site was a block marked off by Mannerheimintie, Töölönkatu and Kivelänkatu, though a neighbouring block facing Hesperiankatu was given as an alternative. The entire project was to be funded by the the Social Insurance Institution of Finland, which looked forward to obtaining a good, reliable return on its investment.

Aalto was commissioned to develop this extensive plan further, and he worked on it until 1952, when problems with the site led to the decision to build on another site altogether. The entire original plan for the National Pensions Institute was scrapped in 1952, when a much smaller, triangular site in Taka-Töölö (bordered by Nordenskiöldinkatu, Messeniuksenkatu, and Minna Canthinkatu) was selected.

In order to avoid the oppressive feeling of a large office building in a crowded urban setting, Aalto differentiated the workplaces for over 800 employees into a ramified organism spread out among several seemingly individual building volumes with excellent internal communications both above and below ground. The complex forms an irregular U surrounding a raised, planted courtyard sheltered from traffic noise and exhaust gases and with a view of an adjacent park; the height of the building volumes is stepped down towards the park.

National Pensions Institute, Housing Area

Seen in the cityscape the redbrick high-rise blocks form an integrated whole. Alvar Aalto designed these blocks of flats in Munkkiniemi, Helsinki, for the employees of the Social Insurance Institution of Finland. The collaboration with the National Pensions Insitute and the Aalto’s had already begun a couple years before. Aino and Alvar Aalto won the architectural competition to design an office complex for the National Pensions Institute in Helsinki in 1949. Nowadays these buildings are operated by a normal housing cooperative.

In total there are 4 high-rise buildings and they are located on Riihitie 12-14 and Tallikuja 2-4. The layout of the buildings as well as their volume and details form a rich housing complex to the neighborhood. Three of the four buildings are rectangular but one located on the corner has a meandering lay out.  

The four and five storey buildings were sited beside the street, leaving plenty of room for the buildings’ yard area. The idea was that the buildings would shelter the yard area from the traffic in the street. Aalto planned a paved, open area – a piazza – adjoining the buildings, with a fountain. The fountain and small day-care centre building also planned to go beside the piazza were not built. The open area, raised slightly above street level, and the other yard and street areas form a nuanced whole. Originally a grocery store operated in the ground floor of one of the buildings. This public composition was accentuated with a arcade corridor on the street side elevation. Nowadays some of the ground floors of the buildings are occupied by various offices.

The quite light tone of the the red brick were designed especially for these block of flats in H.G. Paloheimo Oy. The housing area is view-able from the outside.

Aalto knew Munkkiniemi well. At the start of the 1930s, he designed a residential area for the M.G. Stenius company, but it was not built. He was also a member of the Munkkiniemi building committee in 1937–39. Both The Aalto House and Studio Aalto are also located in Munkkiniemi.

Book House

The Academic Bookstore, or ‘Book Palace’, is in Helsinki’s city centre, in the same block as the Aalto-designed office building, the Rautatalo. The building was finished in 1969 and it is still in its original use. The Academic Bookstore moved in to the building in October 1969.

The plot’s owner, Stockmann, held an architectural competition for the design of the building in 1961–62. Aalto won this with a proposal using the same ideas as in the nearby Rautatalo.

The design of the copper-clad façade on Keskuskatu takes into account the adjacent building’s façade. The building’s main interior space, the central hall, corresponds in its ideas to the marble interior courtyard of the Rautatalo. The central hall gets natural light from the prism-shaped skylights. The floor and closed balustrades of the balconies running round the central hall are of Carrara marble.

Alterations have been made to the interiors. Some of the rooms on the upper floors originally used for offices have been taken over for the bookshop. Nowadays, there are two cafes. The one in the second floor is partly furnished with original Aalto furniture from the Rautatalo cafe. Open for public as a bookstore and cafe.

Aalto House

In 1934, Aino and Alvar Aalto acquired a site in almost completely untouched surroundings at Riihitie in Helsinki’s Munkkiniemi. Aino and Alvar Aalto designed the building, whose simple, natural materials soften the form language of modern architecture. Designing their own home gave them an opportunity to make various structural and material experiments. The Aalto House was completed in August 1936. Aalto’s architect’s office was in this building in Munkkiniemi until 1955.

Alvar Aalto lived in the house on Riihitie up until his death on 1976, and the building was used by the family long afterwards.The house, protected by the Act on the Protection of Buildings, is now part of the Alvar Aalto Foundation. Nowadays, the building is a home museum open to the public.

The house was designed as both a family home and an office and these two functions can clearly be seen from the outside. The studio and the family’s living areas have been discreetly separated from each other through choices of material. This can be seen in both the façades and the interiors.The slender mass of the office wing is in white-painted, lightly rendered brickwork. There are still clear references to Functionalism in the location of the windows. The cladding material of the residential part is slender, dark-stained timber battens. The building has a flat roof and a large south-facing terrace. The way that the rooms in this building with its closed street façade face in different directions has been carefully considered.

Although the street side elevation of the house is severe and closed-off, it is softened by climbing plants and a slate path leading up to the front door. There are already signs of the ‘new’ Aalto in the Aalto House, of the Romantic Functionalist. The plentiful use of wood as a finishing material and four open hearts built in brick also point to this. The Aalto House is a cosy, intimate building for living and working, designed by two architects for themselves, using simple uncluttered materials.

Studio Aalto

Alvar Aalto designed the building at Tiilimäki 20 in Munkkiniemi as his own office in 1955. Because of a number of large commissions, the office needed more space to work in. The building is only a short walk from Aalto’s own house, where the office had previously been located. Studio Aalto is one of the best of Alvar Aalto’s 1950s buildings.

“You can’t create architecture in an office environment,” is how Aalto described working in an architect’s office. Aalto designed a free-form studio section for the building, and a drawing room using natural light. The building curves around a stepped, amphitheatre-style courtyard sheltered from the wind. On the upper floor there is a drawing office on a narrow plan, beautifully encircled by natural light from a band of high-level windows. In 1962-1963 the building was extended by building a dining room for the staff, the ‘Taverna’, in the courtyard behind the high brick wall, with an office above it.

Many of Aalto’s best-known works were designed here at the Studio. Alvar Aalto ran the office until his death in 1976. After that, the office continued under the leadership of Elissa Aalto until 1994. The building came into the custodianship of the Alvar Aalto Foundation in 1984 and today it houses the Alvar Aalto Foundation staff. You can visit the Studio Aalto in guided tours for groups. There are public guided tours of the Studio throughout the year.

The white-rendered, wall-like, closed-in mass of the building conceals a garden shaped like an amphitheatre in its inner courtyard. The office staff could sit on the slate steps of the amphitheatre, listen to lectures or watch slide shows projected on the white wall.

The principal space in the building is the curving studio which has a view opening onto the courtyard. Horizontal battens fixed to the high walls of the studio allowed drawings to be displayed there. The rear wall is covered with climbing plants reaching up to the high-level windows and prototypes of light fittings designed by Alvar Aalto are hung in front of the wall.

The slanting bay window of the conference room with its roof light creates the perfect conditions for examining models and drawings.