Transport: Train

Iittala Glass Factory and Design Museum Iittala

Finnish design is known for glass. Iittala is home to a Finnish glass center, the only glass factory in operation in Finland. Iittala’s story began in 1881, when a glass factory was founded in the village. Today, Iittala’s design story is known worldwide.

The names of Alvar and Aino Aalto have been connected to Iittala since the beginning. Alvar Aalto wanted to ‘free’ glass from geometric form and create an impression of organic, living forms. Aino and Alvar Aalto believed objects should be essential, beautiful, useful and democratically available to all. Today, the legendary Aalto vase is a symbol of Finnish design and one of the world’s most famous glass objects. Each vase is mouthblown at the Iittala Glass Factory.

The Iittala Glass Factory offers a unique opportunity to see how skilled glassblowers create Aalto vases, art objects and common utility articles from molten glass. The demanding work of the glassblowers can be followed either independently at a viewing balcony or with a pre-booked tour guide.

In Design Museum Iittala, located in a cultural-historical area of the Iittala glass factory, the visitor has an opportunity to explore the history of the factory. The largest of the exhibitions is the basic exhibition that presents the glass history of Iittala, and displays internationally acclaimed art glass and prominent serial design products from the late 19th to the 21st century. The exhibition focuses on the Aalto vase and on the golden age, the 1905s, of Finnish design.

Muurame church

Alvar Aalto designed several church plans in 1920’s and Muurame church is the only one that was realised. Muurame church is considered to be a interphase in Aalto’s career. After Muurame church, Aalto gradually moved on from classism to functionalism.

The village of Muurame lies a few miles south of Jyväskylä, the town where Aalto opened his first architectural practice in 1923. It was only natural for the parish council to commission its new church from the closest qualified architect. Alvar Aalto had made his first trip to Italy in 1924, and his travel impressions are much in evidence in the church of Muurame.

Muurame church represents Nordic Classicism. Muurame church is located on a ridge and it is an important part of the cultural heritage in the area. The church is a single-aisle basilica with a tall campanile on one side of the rounded chancel. The interior has a barrel vault over a system of joists, the parish hall opens as a side chapel to the right of the chancel. A staircase leads down from this room to an exit with a loggia, which in Aalto´s original plan is surrounded by a rose garden.

Aino and Alvar Aalto designed the furnishings for the church together. The furnishings, designed fairly late in the project, took on elements of Aalto´s conversion to Modernism, and Aalto used Poul Henningsen lamps for interior lighting.

The interior of the Muurame church has undergone several changes over the years. Last time the interiors and exteriors of the Muurame church were renovated in 2016. The aim of the renovation was to restore the church to its original appearance. During the renovation, also Poul Hennigsen’s light fixtures were returned to the church. The latest renovation is considered to be successful.

William Lönnberg was commissioned to paint the altarpiece in 1929.

Church of the Three Crosses (Vuoksenniska Church)

The Church of the Three Crosses in Vuoksenniska is one of Imatra’s parish churches. After the Second World War, Alvar Aalto was commissioned to create a master plan for Imatra, which merged three of the rural municipality’s widely separated old villages: Imatrankoski, Vuoksenniska and Tainionkoski. The industrial community also required church amenities, and thus Aalto was commissioned in 1955 to design a new church. Aalto designed the church for the Vuoksenniska industrial community so as to combine sacral and social activities. The church was completed in 1958 on the high, pine-forested ridge that divides Lake Saimaa from Lake Immala.

Alvar Aalto, together with his office collaborators, designed the church interior, complete with its lamps, church collection baskets and candle holders, in the spirit of a total work of art, or “Gesamtkunstwerk”. The basic design of the sculptural white church consists of a series of consecutive sections. The main church space can be subdivided into three spaces using movable partition walls; the most sacred of which is the altar end and its pews, and the organ and choir balcony. Opposite this, at the southern end of the building, one could play volleyball or badminton without disturbing the other activities, the architectural complex or the sacral nature of the church. For the everyday parish activities, a kitchen and meeting room were built in the basement.

The church complex also comprises a 34-metre high sculptural concrete campanile, as well as a vicarage that encloses the southern courtyard.

Aalto worked on the design of sacral buildings throughout his career, but several of his church designs never went beyond competition proposals. Of his realised churches, the Church of the Three Crosses completed in 1958 in Vuoksenniska is unique. The small sculptural parish church, rising up amidst pine heath, embodies the free and imaginative aspect of Aalto’s architecture. The church can be said to be Aalto’s response to the development of modern church architecture in central Europe.

The complex exterior architecture of Vuoksenniska Church conceals the tracks of the heavy sliding walls that affect the design of the building at all levels. According to Aalto:

“The author has simultaneously sought two solutions to the problems, one of which lies almost exclusively within the psychological realm (the acoustic tone of the sermon) and the other purely within the technical realm (the effective separation of the church spaces from each other).” (Arkkitehti 12/1959)

When presenting his design for the Vuoksenniska Church in the journal Arkkitehti, Aalto criticized contemporary church design:

“The ecclesiastical activities of the industrial community must, of course, be resolved with an emphasis on the church’s social activities. Though in the world there exist several different combinations of such church activities, it is unfortunate, however, that many institutions of a social nature have often removed from church buildings their character as a public building. Very often these are kinds of intermediate forms between settlement-movement hostels, youth and parish clubs, parish halls and the actual modest church space connected to these.” (Arkkitehti, 12/1959)

Reindeer antler city plan

Alvar Aalto had strong ties to Lapland throughout his life. Aalto’s operations in Rovaniemi started from the ruins of the town destroyed in the Lapland War. The Second World War ended in Lapland with almost complete destruction. In Rovaniemi, 90 percent of the buildings were destroyed, and a huge reconstruction project was ahead. Alvar Aalto led the reconstruction office of the Finnish Architects’ Association.

In 1945, Aalto drew the famous reindeer antler city plan for Rovaniemi, the basic idea of ​​which was both a strong commitment to nature and flexibility. The plan emphasizes Rovaniemi’s position as a traffic hub in Northern Finland. The plan gets its name from the figure drawn on the map. The roads leading to the north, west and south with parks around them, form the reindeer’s antlers and at the same time together with the Ounasjoki and Kemijoki rivers delimit the city center, which forms the reindeer’s head. The sports field in the center is the eye of the reindeer. Aalto’s original reindeer antler plan was not realized as such, but the figure of the reindeer is still recognizable.

Aalto’s main work in Rovaniemi is the administrative and cultural center – Aalto center – formed by the city library, the congress center Lappia Hall and the City Hall which was already founded in the reindeer antler plan. Aalto also designed residential and commercial buildings for Rovaniemi. The park-like residential area of ​​Korkalorinne is called the Tapiola of Rovaniemi. In the center of Rovaniemi, Aalto designed several buildings for Aho’s businessman family, both for business and residential use.

Turku and the Office Building for Turun Sanomat Newspaper

Architect Alvar Aalto lived in Turku 1927 – 1933. This period saw the rise of a new era of architecture and furniture design. Aalto co-operated with Erik Bryggman, one of the earliest representatives of Finnish functionalist architecture, who had founded an office in Turku in early 1920s.

The office for the newspaper Turun Sanomat is an Aalto-designed office building located in city centre, constructed in 1928-29. Turku region is also home to furniture factory Korhonen, the traditional manufacturer of Artek furniture.

The Office Building for Turun Sanomat Newspaper, along with Aalto’s other works, Southwestern Finland Agricultural Cooperative Building and the Standard Apartment House, are included in the listing of Built Cultural Environments of National Importance. The international Docomomo organization also includes these sites in its list of iconic 1920s-1970s Finnish modernist sites.

Säynätsalo Town Hall

The invitational competition for Säynätsalo Town Hall was held in 1949. Aalto won the competition with an entry marked ‘Curia’, and was immediately commissioned to prepare working drawings. Completed in 1952, the building is one of Aalto’s most admired designs. The dominant element of the building is the council chamber, which soars tower-like above the complex. The main material used for the exterior as well as for the representative areas of the interior is bare red brick.

The building has a variety of functions. Aalto laid out four two-storey wings around a square courtyard set one storey higher than its surroundings. The raised courtyard provides access to the former municipal administrative offices and the library, which continues to serve as the local library for Säynätsalo. The office spaces now function as art galleries and exhibition areas. The municipal officials’ residences located in the west wing of the building now primarily serve as accommodation. The spaces on the lowest floor still serve their original purpose as rental commercial spaces for local businesses. During the summer, the Town Hall keeps its doors open daily for visitors, and guided tours are conducted in Finnish and English.

Säynätsalo Town Hall offers guest rooms and apartments for overnight stay and also for longer-term accommodation for researchers and students. The Aalto Residency Programme is an international residency programme focused on architecture and design. The residence is designed mainly for students, researchers, or professionals of architecture and design, however representatives of other arts and sciences are also welcome. The residence apartments are located in the residential wing of the town hall. Read more about the Aalto Residency Programme here.

Muuratsalo Experimental house

The Muuratsalo Experimental House, Alvar and Elissa Aalto’s summer home, stands on the western shore of the island of Muuratsalo in Lake Päijänne. Besides the house itself, also in the grounds are a woodshed and smoke sauna.

The Experimental House consists of the main building (1952–54) and a guestroom-wing (1953). The L-shaped main building and walls form an internal courtyard which is open to the south and west. In the courtyard, the house façade material ranges from white-painted plastered wall to red brick. The heart of the patio is an open fireplace in the centre of the courtyard.

The smoke sauna is in a sandy cove on the lake shore. It was built on rocks, with logs from trees felled on site. Besides the steam room, the sauna building also has a changing room. Alvar Aalto made sketches for the sauna and Elissa Aalto created the working drawings.

Aalto designed the motorboat Nemo propheta in patria, which Elissa and Alvar Aalto used to get to the Experimental House in the summer. The boat is now in the Alvar Aalto Foundation’s collection. 

Find out more about the architecture of the building on the Alvar Aalto Foundation website. The Muuratsalo Experimental House can only be visited in the summer. Visits and guided tours are managed by the Aalto2 Museum Centre.

Church of the Cross

On the old church site of Kolkanmäki rises the architecturally impressive tower of the Church of the Cross, built 1978. This vital element of the Lahti cityscape is a masterwork of Alvar Aalto, elegantly mirroring the city hall – located on the southern end of an axis crossing the market square – designed by Eliel Saarinen, another master architect.

As the primary church of Lahti, the Church of the Cross is a well-known place of worship, clerical procedures and spiritual activities. Master organists from around the world have played the church’s 53-stop pipe organ, constructed at Veikko Virtanen’s workshop. The church serves as important concert venue and studio due to its great acoustic design.

History

Lahti’s Kolkkamäki Hill was occupied from 1890 to 1977 by a classical Finnish wooden church, until it was torn down by the Evangelical-Lutheran congregations of Lahti to make way for a new church. Alvar Aalto was invited to design a new central church for Keski-Lahti.

The decision to demolish the old church and replace it with a new one sparked a religious controversy, which was unique in the history of Finnish churches due to its scale and ferocity. Complaints and statements to various authorities regarding Aalto’s plans lasted nearly seven years.

When Alvar Aalto started to plan the church, he visited the future church site. The preservation of trees, the closeness to nature, and the opening of the church into nature were important to Aalto. This worked well with Aalto’s intent to have the Church of the Cross act as a Getsemane – a place of prayer and silence in the middle of the busy, modern Lahti. The church’s triangular layout was the first of its kind in Finland.

The church’s southern wall boasts a cross-shaped cluster of 52 windows. The simple cross on the altar wall was fashioned from a support beam of the old church’s belfry. The concrete belfry of the Church of the Cross rises 40 metres up directly from the structure. It holds the three bells of the previous church, which remain in use to this day.

Varkaus – Alvar Aalto’s Architecture and Industrial Heritage by the Shores of Saimaa

Varkaus offers a fascinating blend of industrial heritage, Alvar Aalto’s architecture, and the serene beauty of the Saimaa lake district. This historic industrial town is where Aalto began his design work in the mid-1930s, leaving a lasting impact over the following decade. Exploring Varkaus is a unique opportunity to see how Aalto incorporated the principles of functionalism into everyday life and industrial settings.

Aalto’s contributions to Varkaus include a wide range of designs: industrial buildings, urban plans, and standardized type houses, many of which still serve as homes for local residents. The prefabricated houses produced at the Varkaus factory were distributed widely across Finland, supporting the nation’s post-war reconstruction and promoting practical, affordable living solutions. Varkaus is a testament to Aalto’s vision for a more equal and functional society.

Industrial Innovation and Excellence in Varkaus
With over 200 years of industrial history, Varkaus has cultivated expertise in a variety of fields, from ironworks and engineering to shipbuilding, wood processing, and paper production. Today, the town is also known for its cutting-edge energy technology. Part of the old industrial area has been transformed into a modern hub for aquaculture, producing environmentally friendly rainbow trout in the pristine waters of Lake Saimaa—a local specialty worth tasting.

Culture and Nature in Perfect Balance
In Varkaus, history, modern architecture, and lush nature come together in a harmonious urban landscape. The Saimaa lake district invites visitors to experience its tranquil waters and natural beauty, while local Savonian cuisine adds a delightful flavor to any visit.

A compelling addition to the town’s attractions is the Museum of Mechanical Music, where you can explore the fascinating world of mechanical music from the 19th century to the present day. This internationally renowned museum is a must-see for visitors of all ages.

In Varkaus, Alvar Aalto’s vision, industrial heritage, and the tranquility of nature combine to create a destination that captivates both architecture enthusiasts and those seeking a fresh perspective on Finnish history and culture.

Welcome to Varkaus – discover the harmony of Alvar Aalto’s design and industrial heritage by the shores of Lake Saimaa!

Summa paper mill and housing area in Hamina

Hamina – military history, circular town plan and the Summa paper mill

Hamina is a beautiful city, where the sights are within easy reach. The old city centre is based on an unique, circular town plan and it is surrounded by a star-shaped fortress. Visitors can enjoy a view of the city and observe the history from the ramparts of the fortifications. A restored central bastion of the fortress, the Hamina Bastion, functions as an arena for large-scale public events. Hamina Tattoo, the International Military Music Festival, takes place every other year.

The Summa paper mill and the adjoining residential area Petkele are designed by Alvar Aalto 1951–53 (ext. 1957, 1970–72) . Petkele is located outside the city centre and it was designed as a neighbourhood for the managers and workers of the paper factory. The original machine halls 1 and 2 of the mill are also designed by Aalto.

Artist community at Lake Tuusula and Villa Kokkonen in Järvenpää

The museums near the lake Tuusula display the history and the rich cultural heritage of Finland. A unique community of artists formed on the shores of Lake Tuusula in early 1900’s. Notable artists settled in the rural landscape and their works play an important role in the story of the Finnish identity. In artists’ studios of National Romantic style you can sense the historical atmosphere that generated the inspiring national spirit and the strive towards independence from Russia. Finland gained independence in 1917. Visitors can enjoy art and experience the past through artists, writers and composers of the Golden age of Finnish art. The artists’ studios takes you back in time to the National Romantic era and the other museums in the area exhibit the history of Finland in the 20th century.

Villa Kokkonen (1967—1969) is a real rarity among the private homes designed by Alvar Aalto, because Aalto designed the building as an artist’s home. The composer Joonas Kokkonen lived in Villa Kokkonen for 27 years. The architectural heart of the building is the unique combination of a grand piano and concert room.

Lake Tuusula is a perfect travel destination for it offers you plenty of interesting places to visit within easy reach. Lake Tuusula also offers great possibilities for outdoor activities in summer and in winter. A good bike route of 24 kilometres leads you around the lake in the beautiful landscape. There are lots of places for recreation close by, for example the Sarvikallio viewing point. It offers a spectacular view over the lake Tuusula, a view that inspired artists to portray this distinctively Finnish landscape in their work.

Lake Tuusula Road and the artist community

The road by the Lake Tuusula, Tuusulan Rantatie in Finnish, was part of a historical road connected to
Helsinki. It goes through the beautiful lakeside scenery all the way until the nearby city of Järvenpää. The
Lake Tuusula artist community had a major influence on the cultural history of Finland in the era of
National Romantic movement. Several artists of the golden age of Finnish art settled on the eastern bank of the lake in the late 19th and early 20th century.

The first ones to settle on the shores of Lake Tuusula were the author Juhani Aho and his artist wife Venny
Soldan-Brofeldt. In spring 1897 they rented a villa, which is now called Ahola and open as a museum. Their example inspired other artists to move there, to live and work in the peaceful surroundings close to nature.

The studio residence of painter Eero Järnefelt was built in 1901. Next year were finished the atelier of
painter Pekka Halonen, Halosenniemi, and the home of poet J.H. Erkko, Erkkola. The master composer Jean Sibelius moved with his family in 1904. Their villa is called Ainola after his wife, Aino Sibelius.

Today these five homes are open for visitors. They are located by the Lake Tuusula within a span of 5 kilometres. The Tuusulanjärvi artists’ community would have come to an end by the death of Jean Sibelius in 1957, but the community gained new momentum when Joonas Kokkonen cancelled his plans to move to Helsinki. Instead, he acquired a lakeside plot from the Town of Järvenpää at an affordable price and was able to hire the most famous architect in Finland to design his home. Villa Kokkonen is located nearby, on the other side of lake Tuusulanjärvi.

Alvar Aalto’s Villa Kokkonen

Villa Kokkonen (1967 – 1969) is a real rarity among the private homes designed by Alvar Aalto, because Aalto designed the building as an artist’s home. The composer Joonas Kokkonen lived in Villa Kokkonen for 27 years. The architectural heart of the building is the unique combination of a grand piano and concert room. The Tuusulanjärvi artists’ community would have come to an end by the death of Jean Sibelius in 1957, but the community gained new momentum when Joonas Kokkonen cancelled his plans to move to Helsinki. Instead, he acquired a lakeside plot from the Town of Järvenpää at an affordable price and was able to hire the most famous architect in Finland to design his home.

Villa Kokkonen is a single-storey and multifaceted wooden house that is immersed in natural light. The house itself is worth seeing.

In Villa Kokkonen you can experience the past and the present of the artist’s home. Villa Kokkonen was also one of the first Finnish houses to be selected in the network of Iconic Houses in 2012. The network includes some of the most famous house museums in the world.