Alvar Aalto in Jyväskylä

In Jyväskylä, the city of lakes and hills in the heart of the Finnish Lakeland, you’ll find the largest number of masterful buildings in the whole world designed by the world-famous architect and academician Alvar Aalto.

The impressive portfolio of 28 locations includes, for instance, the Alvar Aalto Museum, Muurame Church and Säynätsalo Town Hall, which is regarded as one of Aalto’s finest works.

Alvar Aalto also went to school, started a family and began his illustrious career in Jyväskylä. The city of Jyväskylä is home to Aalto creations from the very start of his career right through to designs from his final years.

In Jyväskylä you’ll tread in the master’s footsteps from classicism to functionalism and from brick architecture to monumentalism. Jyväskylä offers you a vast selection of guided tours and interesting visits either on foot, by bike or by boat!

Jyväskylä is also perfectly suited for conferences. The city is lively due to the University and it offers a selection of restaurants and venues for all kind of events. The Finnish Lakeland, being the Sauna Region of the World, guarantees various possibilities for groups of all sizes.

One point of interest is the swimming hall designed by Alvar Aalto. Back then it was one of the very first swimming halls in Finland. It was later enlarged and now the AaltoAlvari Aquatic Centre houses sport and spa services, with various pools like rapid and wave pools, a hot tub, a water slide and diving boards.

Located at a hub of excellent connections, Jyväskylä is highly accessible from practically anywhere.

Mill Manager’s Residence Kantola and Seaside Sauna in Sunila

Former mill manager’s house Kantola was built in 1937, and it’s located in the residential area of Sunila, in the city of Kotka. Kantola has its own park-like yard with pine trees and a unique view towards the sea and the Sunila pulp mill. Sunila mill was once told to be the most beautiful mill in the world.

Kantola is available for groups to visit all the year round, but the visit must be booked in advance. Events held in Kantola may affect the availability. Kantola’s spaces are also available for meetings and get-togethers, and there is plenty of beautiful and unique space to set up an exhibition or some other event in the main building or the yard. You can use Kantola for small private meetings or bigger events up to 80 people. There is a seaside sauna which is made from logs, with room for 10 people. The view from the sauna’s terrace is wonderful, when looking at the mill’s silhouette and lights against the night sky.

Villa Mairea

Located within the Noormarkku Works area, Villa Mairea was built in 1939 to serve as the home of Maire (née Ahlström) and Harry Gullichsen. The progressive couple were patrons of the arts, and
they were interested in the clean-cut expression of modernism. Their good friends, the architects Aino and Alvar Aalto, had an opportunity to apply free and experimental design in the planning of Villa Mairea.

These favourable circumstances gave rise to a unique work of art, which is currently considered an international masterpiece in 20th century architecture. Interior design for Villa Mairea was in the hands of Aino Aalto.

Through the life’s work of Maire Gullichsen, Villa Mairea is linked in many ways to the arts institutions and design sector of Finland, for example to the furniture business Artek and Galerie Artek, Free Art School and Pori Art Museum. She played a decisive role in the establishment of all of these.

Erottaja Pavilion

Erottaja Pavilion is one of Helsinki’s earliest Aalto-designed buildings. This small building intended as an emergency-shelter entrance is close to Helsinki’s city centre.

The Pavilion building is part of a larger plan for a traffic system for the Erottaja district. Aalto’s office won the architectural competition for the entire Erottaja district, but the traffic system was never implemented. The iron-framed pavilion is clad in bronze and granite.

Erottaja Pavilion, close to the Akateeminen Kirjakauppa bookshop, is a curiosity in Aalto’s production, a reminder of his larger, unrealized plans for Helsinki’s city centre.

Enso-Gutzeit Co. Headquarters

The Enso-Gutzeit Headquarters building was completed in the centre of Helsinki, in a prominent place in the Southern Harbour, in 1962. Now Stora Enso’s Headquarters, the building is one of Aalto’s most controversial works.

Aalto wanted to design a new head-office building to be part of Helsinki’s shoreline silhouette. The white Carrara marble chosen as the surface material links the building with the row of white facades on the North Esplanade. The building has six floors above ground level. The receding top floor creates room for a roof terrace. The building’s main entrance is through a portico.

The furnishings were carefully designed, right down to the smallest detail. Many of the pieces of furniture and light fittings were designed specifically for the building.

Rautatalo Office Building

The Rautatalo Office Building was completed in Helsinki’s city centre in 1955. The building got its name (‘Iron House’) from the federation of Finnish hardware dealers that commissioned it. The main space is the light court, or marble courtyard, that extends from the first floor upwards.

Aalto’s office won the architecture competition for the building in 1951. Progressive in its day, the interior of this office building was meticulously designed, right down to the details.

Shop premises were sited on the lower floors. The office floors are built around a covered marble courtyard. The details of the light court lit by natural light evoke the architecture of the Mediterranean countries.

The Rautatalo is still in use as an office building. The building itself and some of its valuable interiors are protected by the Act on the Protection of Buildings.

House of Culture

The House of Culture was completed in 1958 close to the centre of Helsinki. It was designed as a multi-purpose building for the Communist Party of Finland. Apart from the concert hall, the building was intended to accommodate a variety of cultural activities.

The concert hall and theatre are in the redbrick, fan-shaped section of the building, and the office wing is in the rectangular section behind the copper façade. The main entrance is in a low section connecting the other two. The low canopy projecting over the entrance courtyard marks it off from the street, and links the parts of the building together.

With its Aalto furnishings and light fittings and its wealth of details, the House of Culture is protected by the Act on the Protection of Buildings. The building is in use as a concert and event venue.