Theme: Modernism

Alvar Aalto Kymenlaakso Cycling Route

Kymenlaakso is the single region in Finland with the most buildings designed by Alvar Aalto. If Jyväskylä is called the Aalto capital, Kymenlaakso can rightly be called the Aalto region. In total, Kymenlaakso has dozens of buildings designed by Alvar Aalto: detached houses, apartment buildings and blocks of flats, as well as industrial plants.

On the cycle route you can discover Alvar Aalto’s architecture of the 1930s-1950s in Karhula, Sunila, Hamina and Inkeroinen.

Most of the buildings designed by Alvar Aalto were placed freely in the landscape, taking into account the shapes of the terrain. As a result, the connection to nature is a natural continuum for the views of the houses and apartments. Nature, light and their connection to the dwellings were important to Aalto. The overall architectural approach and the typical elements of Aalto’s formal language are repeated in all the Aalto projects in Kymenlaakso.

Aalto succeeded in adapting his buildings to nature and adding both creativity and artistry to their austere simplicity, and even today people are still attracted to Aalto buildings.

A tourist interested in architecture, history and design can easily spend several days exploring the buildings designed by Alvar Aalto, but also stay overnight in apartments designed and decorated in his style.

There are 4 areas on this route with buildings designed by Aalto:

Inkeroinen factory area

The buildings designed by Alvar Aalto for the Inkeroinen Factory Hill were completed between 1937 and 1956. The complex consists of factory buildings, semi-detached houses on the Rantalinja, terraced houses on the Tervalinja, three detached houses, three blocks of flats, a school on the Tehtaanmäki and detached houses on the Karhunkangas.

Hamina Petkele residential area

In Hamina, you can discover the environment of the Summa paper mill designed by Alvar Aalto and the housing designed by him for the paper mill workers and management in the Petkele residential area.

Apartment buildings in Karhula

Alvar Aalto’s design in Karhula is represented by the apartment buildings completed on Karhunkatu between 1945 and 1947, known as the ‘tennis houses’.

Sunila factory and working-class housing area

Alvar Aalto’s handiwork is immediately recognisable from the moment you arrive in the extensive and coherent residential area. The factory, completed in 1938, and the adjacent residential area, originally built between 1937 and 1939, form a whole whose design clearly shows the influence of Alvar Aalto’s 1930s modernism.

For more details and directions see the route in Outdoor Active

By Visit Kotka-Hamina

Alajärvi Town Hall

Among the Aalto sites in Alajärvi, the town hall is the largest and most prominent. The building’s facade is dominated by the large windows of the council chamber and the minimalist white walls. Construction of the Alajärvi town hall began in 1966 and it was completed a year later. The most impressive parts of the terrain-adaptive office building are the lobby and the council chamber. The council chamber is taller than the rest of the building and is adorned with windows of various sizes and shapes that let in the rays of the morning and evening sun.

Alvar Aalto approached his buildings as total works of art, where furniture and lighting were also important elements of the design. In the council chamber of the Alajärvi town hall, there are furnishings, tables, chairs, and lamps designed by Aalto, as well as seating in the foyer.

Alajärvi Parish Hall

Construction of the parish hall began in 1969 and it was completed a year later. The Japanese-influenced parish hall features a lot of open, bright, and unified space. The parish hall’s minimalist white style echoes other buildings in the Aalto Center, such as the town hall and the library. The Aalto Center comprises several buildings by Aalto, all within a short walking distance from each other. Together, the buildings of the Aalto Center form a unique ensemble.

Inside the parish hall, there is a lot of open space. Aalto’s interest in Japanese culture and architecture is evident in the interior aesthetics of the parish hall. The minimalist appearance of both the interior and exterior of the parish hall contrasts with the Alajärvi Church, designed by Carl Ludwig Engel, located behind the building. Although the styles of the buildings are completely different, their color schemes are similar.

Alajärvi City Library

The Alajärvi City Library is the last design project by the architectural firm Aalto & Co. The library was completed in 1991, with Heikki Tarkka serving as the chief architect. Elissa Aalto, Alvar Aalto’s spouse, who finalized several of Alvar Aalto’s unfinished buildings, also participated in the design work. In 1966, Alvar Aalto created a plan for an administrative center in Alajärvi, and the library building’s design is based on his site plan and model.

The library’s minimalist white style echoes other buildings in the Alajärvi Aalto Center, such as the town hall and the parish hall. The Aalto Center comprises several buildings by Aalto, all within a short walking distance from each other. The most striking feature of the library’s design is the undulating wooden ceiling panel. The different shades of wood, the wavy lines, and the spaciousness of the library hall create an organic and nature-inspired impression of the building.

In addition to library operations, the building also hosts rotating art exhibitions.

Rovaniemi Aalto Center, administrative and cultural center

The Rovaniemi administrative and cultural center, Aalto center, is the only completed city center in Finland by Alvar Aalto, along with Seinäjoki.

The three buildings of the Aalto center – the library, Lappia Hall and the town hall – open like a fan shape towards the city center in a spacious park-like square. The library was the first to be completed in 1965. Lappia Hall was the last building that Alvar Aalto saw completed before his death. It was completed in two stages in 1972 and 1975. The design work of the town hall, completed in 1986, was led in Aalto’s office by his wife, architect Elissa Aalto.

The architectural highlights of the buildings are placed on the side of the square, where they form a spectacular entity. The upper windows of the library rise visibly from the rhythmically folded closed facade and bring natural light to the lending department. The upper parts of the stage halls of Lappia Hall rise like fells above the sleek facade line. In the town hall the council chamber has been formed like a crystalline tower, taller than the rest of the building.

In addition to the recognizable features of Aalto’s architecture, the buildings are bound together by the facade materials – light brick and ceramic tile. The materials for the interior of the buildings are well thought out, as are the furniture and lighting, which are partly from Artek’s collection, partly designed for the buildings by Aalto’s office.

Rovaniemi City Hall

The completion of the City Hall in 1986 completed Rovaniemi’s administrative and cultural center, the Aalto Center. Along with Seinäjoki, it is Alvar Aalto’s only completed civic center in Finland. The City Hall was designed based on Alvar Aalto’s sketches after his death under the direction of Elissa Aalto.

The building complex consists of several wings in different directions, which are dominated by the council hall with its sculptural tower part. In connection with the main entrance of the building, are the most important facilities of the town hall, such as the council hall, meeting rooms and the mayor’s room. In particular, the crystalline council hall stands out from the building complex as a tower higher than the rest of the building.

Like in the other buildings of Aalto Center, the interior of the City Hall consists, for example, of Lapland marble and natural-colored wood. The City Hall’s furniture and lighting are partly Artek’s production and partly designed for the building by Aalto’s office.

Kain Tapper’s environmental artwork “Birth of the Mountains” was placed in the square of the Aalto Center after the completion of the town hall in 1988.

Rovaniemi City Hall is closed for the time being due to renovations that are scheduled to be completed in 2026.

Villa Tammekann

Situated in Tartu, the Granö Centre of the universities of Turku and Tartu was opened in April 2000.

The Granö Centre is located in a house designed by Alvar Aalto in 1932 as the residence of Professor August Tammekann and his family. The Turku University Foundation purchased the building from the children of the family in 1998 and the Villa Tammekann was repaired following Alvar Aalto’s original designs as closely as possible. In 2001, The Turku University Foundation was awarded the prestigious EuropaNostra -medal.

The centre has been named after J. G. Granö, former rector of the University of Turku and professor of geography of the University of Tartu. J. G. Granö was one of six Finnish professors invited to Tartu in the early 1920’s and he contributed greatly to further Finnish-Estonian university cooperation, founding, for example, the Finnish-Estonian school of geographical thought. His son, Fellow of the Academy of Finland, Olavi Granö was the initiator for establishing the cooperative centre for the universities of Turku and Tartu.

The Granö-center operates  today mainly as a residence for researchers. The stay for the individual scholars at Villa Tammekann lasts from 1-2 weeks up 12 months. The cosy athmosphere and good architecture creates new ideas and good motivation!

In 2012, Villa Tammekann was accepted onto the Iconic Houses -website, the international network connecting architecturally significant houses from the 20th century.

Villa Tammekann belongs to The Alvar Aalto Route – 20th Century Architecture and Design, as the only site in Estonia.

Scandinavia in Berlin and Wolfsburg

Take part on a three-day tour, where you get to spend two days in Berlin and one in Wolfsburg. On this tour you can admire and get to know the architecture, landscapes and sights accompanied by an exclusive English-speaking guide. During the tour, you will also get to experience a few interesting buildings that Alvar Aalto designed in Germany.

The tour begins by exploring Berlin, a city where there is definitely plenty to see and do. The first two days of the program provide an in-depth tour of the city’s interesting architecture and attractions. You will also get to enjoy the exciting atmosphere of the city and also do some shopping while you are at it. After taking over Berlin, the tour continues on a day trip towards the city of Wolfsburg, which has a lot to offer in particular for Aalto enthuastictics.

Experience Alvar Aalto’s architecture in Jyväskylä

During the tour you will experience some of the most iconic built environments designed by Alvar Aalto in a city that has more than earned its epithet, the Alvar Aalto capital of the world.

This tour in Jyväskylä takes you on a journey to a city featuring more works and designs from the different periods of the master architect’s career than any other location in the world. On this tour you will not only be seeing but also living the gems of Modernist architecture: sleep, eat and even swim within architecture.

During the tour you will experience some of the most iconic built environments designed by Alvar Aalto in a city that is called the capital city of Alvar Aalto’s architecture, as there’s the most Alvar Aalto building in the world. He opened his first office and started his family in Jyväskylä, he lived in the city for several years and built his beloved summer residence nearby. The city is also home to the world’s only Alvar Aalto Museum, which is located in a building designed by the architect himself.

During the tour, you will witness the different faces of Aalto’s oeuvre, from the early classicist style through the red-brick period to white monumentalism. Highlights of the tour include a stay in one of Aalto’s most significant works, Säynätsalo Town Hall, swimming in AaltoAlvari swimming hall, the oldest parts of which were designed by Aalto.

Vyborg Library

The Alvar Aalto Library in Vyborg, completed in 1935, was one of the buildings that brought Aalto worldwide fame. The history of the competition and design for Vyborg Library is crucially linked with Alvar Aalto’s changeover from classicism to functionalism. The ideas developed for the Viipuri Library competition remained central to the work of Aalto’s office throughout its existence.

Amongst Alvar Aalto’s buildings, the Vyborg Library has had an unusually varied history. Aalto won the competition for the Library in 1927 with a completely Classical proposal, but because of the Great Depression, the construction of the Library was postponed several times. The planned site for the library building also changed from the original plans and also funding initially allocated to the Library was used, instead, to erect a statue of an elk in front of the site where the Library would have later been. The Library was eventually completed in 1935, a modern and progressive building with a formal language developed from Aaltos previous projects: the Turun Sanomat building and Paimio Sanatorium.

The building has two main elements: firstly the library itself, with its various departments, and secondly the socially active part of the library, the clubrooms. The Vyborg Library was also one of the first libraries in Finland at that time, that offered possibilities for other social activities in addition to the library itself. A lot of attention was also focused on the transformability of the spaces inside the building, where for example curtains were used as a room divider. The building consists of three separate libraries: the main hall, the children’s library and the newspaper hall. The main entrance to the building is placed in the library’s northern facade, while the children’s library and the newspaper reading room are located on the eastern and southern facades of the building. In addition to the distinct design language of the building, functionalist features can also be recognized in its light and unostentatious façade, flat roof, skylights and in long rows of windows running the length of the building.

In the Second World War, Finland lost Vyborg to the Soviet Union. The Vyborg library survived the war period, but it remained unused for a decade before some renovations were carried out under the Soviet authority. After the Soviet repairs, the Library functioned again as the Municipal Central Library as originally intended, and was the soul of cultural life in Vyborg.

However, eventually over time the Library fell gradually into disrepair. Eventually, at the start of the 1990s, the city of Vyborg asked Aalto’s architects office for help with planning the repair work. With support from the Finnish Ministry of the Environment, architect Elissa Aalto set up a restoration-working group, which developed into the current restoration association. The goal of this restoration project that spanned national borders was to re-instate the building’s original architectonic value. The renovation, which initially progressed slowly for financial reasons, was given a boost in December 2010 by funds from the Russian government.

The restored Library was opened to the public in November 2013; marking an end to twenty years of work. The restoration work of the library has since received awards for the exceptionally high-quality result and the laudable international cooperation. Nowadays the library is considered to be an important public building for the locals as well as a popular destination for travellers.

Aalto sites in Kouvola

Alvar Aalto’s most prominent works in Kouvola are located in Inkeroinen within the area of the Ankkapurha Culture Park. The buildings designed by Aalto in Tehtaanmäki, Inkeroinen date back to 1937 to 1956. These include the industrial buildings of the Anjala Paper Mill and the Tampella Co. Housing Area, including Rantalinja semi-detached houses, Tervalinja terraced houses, three engineering personnel houses and housing blocks for the workers of the mill. While in Kouvola, also make sure to check the Kasarminmäki gateposts, which the young architect designed for the garrison area when he was doing his military service.

The area is complemented by the Tehtaanmäki Primary School finished in 1940 and the Karhunkangas housing area of single-family homes, where most of the residential buildings were completed in 1938. The Tehtaanmäki Primary School is the only elementary school designed by Alvar Aalto that is still in its original use. The town plan designed by Aalto in 1937 covered the entire centre of Inkeroinen, but only the Karhunkangas area and the area adjacent to the mill were ever implemented.

The centre of Kouvola is also an interesting attraction to architecture enthusiasts. The administrative centre of Kouvola representing modernism is a nationally significant built cultural environment catalogued by the National Board of Antiquities. The Town Hall of Kouvola (Bertel Saarnio, Juha Leiviskä, 1964 to 1968, 1969) is an outstanding work of modern architecture classified by the international DOCOMOMO organisation.

The renovated pedestrian street Manski with its shops and cafeterias beckons you to have a cup of coffee and a rest. Those craving for culture make their way to explore the high-standard exhibitions of the Kouvola Art Museum belonging to the Poikilo Museums, and the museum building flooded with light.

Church of the Three Crosses (Vuoksenniska Church)

The Church of the Three Crosses in Vuoksenniska is one of Imatra’s parish churches. After the Second World War, Alvar Aalto was commissioned to create a master plan for Imatra, which merged three of the rural municipality’s widely separated old villages: Imatrankoski, Vuoksenniska and Tainionkoski. The industrial community also required church amenities, and thus Aalto was commissioned in 1955 to design a new church. Aalto designed the church for the Vuoksenniska industrial community so as to combine sacral and social activities. The church was completed in 1958 on the high, pine-forested ridge that divides Lake Saimaa from Lake Immala.

Alvar Aalto, together with his office collaborators, designed the church interior, complete with its lamps, church collection baskets and candle holders, in the spirit of a total work of art, or “Gesamtkunstwerk”. The basic design of the sculptural white church consists of a series of consecutive sections. The main church space can be subdivided into three spaces using movable partition walls; the most sacred of which is the altar end and its pews, and the organ and choir balcony. Opposite this, at the southern end of the building, one could play volleyball or badminton without disturbing the other activities, the architectural complex or the sacral nature of the church. For the everyday parish activities, a kitchen and meeting room were built in the basement.

The church complex also comprises a 34-metre high sculptural concrete campanile, as well as a vicarage that encloses the southern courtyard.

Aalto worked on the design of sacral buildings throughout his career, but several of his church designs never went beyond competition proposals. Of his realised churches, the Church of the Three Crosses completed in 1958 in Vuoksenniska is unique. The small sculptural parish church, rising up amidst pine heath, embodies the free and imaginative aspect of Aalto’s architecture. The church can be said to be Aalto’s response to the development of modern church architecture in central Europe.

The complex exterior architecture of Vuoksenniska Church conceals the tracks of the heavy sliding walls that affect the design of the building at all levels. According to Aalto:

“The author has simultaneously sought two solutions to the problems, one of which lies almost exclusively within the psychological realm (the acoustic tone of the sermon) and the other purely within the technical realm (the effective separation of the church spaces from each other).” (Arkkitehti 12/1959)

When presenting his design for the Vuoksenniska Church in the journal Arkkitehti, Aalto criticized contemporary church design:

“The ecclesiastical activities of the industrial community must, of course, be resolved with an emphasis on the church’s social activities. Though in the world there exist several different combinations of such church activities, it is unfortunate, however, that many institutions of a social nature have often removed from church buildings their character as a public building. Very often these are kinds of intermediate forms between settlement-movement hostels, youth and parish clubs, parish halls and the actual modest church space connected to these.” (Arkkitehti, 12/1959)