Theme: Art

Ahlström Noormarkku Works

Ahlström Works is a unique historical industrial area in Noormarkku, Pori, and it is one of the most significant and best-preserved ironworks in Finland.

The story of A. Ahlström Corporation is a notable part of Finnish industrial, architectural, art, and design history. The area offers cultural tours at the Makkarakoski sawmill museum, the Ahlström Voyage exhibition, and the world-renowned Villa Mairea. In the Ahlström Voyage exhibition, visitors can explore art glass from the Iittala, Karhula, and Riihimäki glass factories that were part of the corporation, as the exhibition showcases a remarkable collection of works by Tapio Wirkkala and Timo Sarpaneva, as well as several unique pieces of the Savoy vase designed by Alvar Aalto. Additionally, there is an impressive scale model of the ironworks area on display. Architects Alvar Aalto and his wife, architect Aino Aalto, had a long and fruitful collaboration with Ahlström, resulting in masterpieces of Finnish architecture and design, which can be explored on the cultural tour “In the Footsteps of Alvar and Aino Aalto.”

Noormarkku Club House is a high-class Rôtisseurs restaurant. Accommodation is available in cozy guesthouses. The spirit of the guesthouse Vainiola, which underwent a renovation designed by architect Alvar Aalto in the 1940s, has been preserved to this day. The air-conditioned rooms in the guesthouse are furnished with Artek furniture, including several unique pieces.

Rovaniemi Aalto Center, administrative and cultural center

The Rovaniemi administrative and cultural center, Aalto center, is the only completed city center in Finland by Alvar Aalto, along with Seinäjoki.

The three buildings of the Aalto center – the library, Lappia Hall and the town hall – open like a fan shape towards the city center in a spacious park-like square. The library was the first to be completed in 1965. Lappia Hall was the last building that Alvar Aalto saw completed before his death. It was completed in two stages in 1972 and 1975. The design work of the town hall, completed in 1986, was led in Aalto’s office by his wife, architect Elissa Aalto.

The architectural highlights of the buildings are placed on the side of the square, where they form a spectacular entity. The upper windows of the library rise visibly from the rhythmically folded closed facade and bring natural light to the lending department. The upper parts of the stage halls of Lappia Hall rise like fells above the sleek facade line. In the town hall the council chamber has been formed like a crystalline tower, taller than the rest of the building.

In addition to the recognizable features of Aalto’s architecture, the buildings are bound together by the facade materials – light brick and ceramic tile. The materials for the interior of the buildings are well thought out, as are the furniture and lighting, which are partly from Artek’s collection, partly designed for the buildings by Aalto’s office.

Nelimarkka Museum and Villa Väinölä in Alajärvi

Nelimarkka Museum

The Nelimarkka Museum in Alajärvi was founded by the painter and professor Eero Nelimarkka (1891-1977) in 1964. The building was designed by his friend, the architect Hilding Ekelund. Since 1995 it has functioned as the Regional Art Museum of Southern Ostrobothnia. It focuses on displaying regional Ostrobothnian art, but art education also plays an important role in its activities.

Temporary exhibitions, workshops and events for visitors of all ages are organized regularly. Since the mid-1980s the museum has also run an international residency program for artists. In the summertime you can enjoy coffee and cake in the light atmosphere of the museum’s: “Café de Nelimarkka”. The museum shop is open year-round. You can book a customized tour or a workshop at the museum. The Nelimarkka museum maintains as well the nearby Villa Nelimarkka and Villa Väinölä, located in the centre of Alajärvi.

Villa Väinölä

Alvar Aalto designed Villa Väinölä as his brother’s home and office. It is said that Aalto drew the first version of the building after his honeymoon to Italy. Villa Väinölä’s original plan, sketched in 1925, was based on drawings made by Aalto of ancient roman atriums witnessed in Italy. However, the plan was found to be too expensive and visionary to implement, so Aalto simplified the design according to his brother’s wishes, and a more affordable version of the building was completed in 1926. Aalto also designed an outbuilding at the north end of the main building, which was completed in 1938.

Väinö Aalto and his family moved away from Alajärvi in the early 1950s, and in 1952, the municipality of Alajärvi bought Villa Väinölä. During the ownership of the municipality of Alajärvi, an additional wing was added to the southern end of the building, in order to function as a reception area for a doctor’s office that operated in the Villa at the time. Villa Väinölä has at one time hosted also a tax office, a dental office and leisure offices of the municipality of Alajärvi, as well as housing and building inspection offices. The ownership of the building was moved over to the Nelimarkka Museum in 2015.

The latest renovation of Villa Väinölä was completed in the spring of 2018, and it was financed with the help of the National Board of Antiquities, Aisapari and the City of Alajärvi. Exhibitions, events and architectural residencies are currently organised at Villa Väinölä. Through the Nelimarkka Museum, the building can also be booked for meetings and private parties.

Lappia Hall in Rovaniemi

Lappia Hall is part of the Rovaniemi administrative and cultural center, the Aalto Center, designed by Alvar Aalto. The building is a well-known landmark of Rovaniemi. Lappia Hall was built in two parts. The first part, including the music school, was completed in 1972, and the main part of the building used by the theater in 1975. Lappia Hall was the last building that Alvar Aalto saw completed before his death.

The undulating roof structure of the building resembles the fell landscape of Lapland. The curved shapes of the roof are illuminated in different colors, and in its evening outfit Lappia Hall is a particularly magnificent sight. Lappia Hall is a total work of art characteristic of the Aaltos. Aalto’s office designed not only the building but also the interior and furniture. From the outside, the building is finished with light rod-shaped ceramic tiles.

The floor surfaces of the interior of the building are covered with Lapland marble and the interior walls are decorated with dark shiny cobalt rod-shaped ceramic tiles. The unique architecture of Lappia Hall is specially designed for the use of cultural actors. The Rovaniemi Theatre / Lapland Regional Theatre, the Lapland Music and Dance Institute and the Rovaniemi School of Visual Arts currently operate in the building. Over the years, Lapland’s regional radio and Lapland’s regional museum have also operated there. The comprehensive renovation of the building was completed in 2015.

Seaside museums – Architecture, art and home museums by the sea!

A self-guided museum tour around the Laajalahti bay, outside the usual tourist routes, reveals seven unique museum sites that can be experienced together or separately. In addition to the scenic surroundings, the sites are united under interesting architecture and the fact that they have originally been homes and / or workspaces. The Didrichsen Art Museum, Villa Gyllenberg and Gallen-Kallela museums also feature significant art collections and changing exhibitions.

In Alvar Aalto’s home and office building in Munkkiniemi you can take part in guided tours all year round. Aficionados of architecture and design will get an insight into the interesting life of the Aalto family and everyday life of architects’ office. During the visit, you can also explore the beautiful gardens surrounding the buildings.

On a guided tour in Tamminiemi you will learn about the house’s most famous and longest-lived inhabitant: president Urho Kekkonen (1900–1986), and discover the original interiors and design from the 1970s. Tamminiemi’s legendary tar-smelling, seaside sauna can also be visited during the summer season.

The nearby Seurasaari open-air museum comes alive in the summer. The beautiful and fascinating traditional Finnish buildings, immersed into the magnificent natural setting of the island, constitute a favourite destination for both Helsinki locals and travellers around.

There are as many as two high-quality art museums on the small Kuusisaari island. The Didrichsen Art Museum has 2-3 changing exhibitions each year. The neighbouring Villa Gyllenberg features museum’s permanent collection which includes, amongst other masterpieces, 38 works by Helene Schjerfbeck. In addition, the museum also organises changing exhibitions. On Saturdays during the summer, Kuusisaari can be reached also by water bus running between Market Square in the city centre and Kuusisaari.

The northern shore of Laajalahti bay also offers exciting museum experiences, as well as a pleasant museum café where visitors can spend a relaxing moment. The Gallen-Kallela Museum, located in a castle-like villa designed by artist Akseli Gallen-Kallela, presents the art and life of Gallen-Kallela and his contemporaries with changing exhibitions, as well as exhibitions of contemporary art. From April you can also cycle to the museum on a city bike.

Finnish Pavilion at the Venice Biennale

The Finnish pavilion, designed at the initiative of art patron Maire Gullichsen, was set up in the Giardini parkland to house the Finnish exhibition section of the Venice Biennale International Art Festival in the spring of 1956. Alvar Aalto had only a couple weeks’ time to produce the plans for the pavilion.

According to Aalto’s plan, the pavilion should be an exhibition space that was movable, easy to dissemble, store and re-assemble: “Like a tent,” as he put it. The walls and roof of the light-structured pavilion were made of wooden elements. The building’s architectonic idea was a whole composed of blue wall lamellas and white triangles. Skylights brought natural light into the space and left the wall surfaces free for hanging the exhibition.

Originally meant as a temporary structure the Finnish Pavilion still stands in the same place in the Venice Biennale area, and has over the decades hosted a variety of exhibitions. Nowadays the Finnish Pavilion is a popular attraction and it is considered to be an important part of the International Architecture Exhibition as well.

Throughout its relatively short history, the Finnish pavilion has undergone three major restorations. The building was restored at the Italians’ initiative in 1975-76, as a project by Finnish architectural students led by Panu Kaila in 1993 and again by Gianni Talamini in 2012. The pavilion is the only building Aalto completed in Italy during Alvar Aalto’s lifetime and its preservation is, in the words of Elissa Aalto, “a tribute to Alvar Aalto and a reminder of his relationship with Italy”.

Alvar Aalto loved Italy, and Venice most of all. Alvar and Aino Aalto travelled to Italy on their honeymoon in 1924 and visited Venice as well. Aalto returned to Venice often also with his second wife Elissa Aalto in the fifties and sixties in particular.

”For me in my mind there is always a journey to Italy. It may be a past journey that still lives on in my memory; it may be a journey I am making or perhaps a journey I am planning”

Architect Alvar Aalto, 1954

Maison Louis Carré

The Maison Louis Carré is one of the most carefully executed and detailed of the private houses designed by Alvar Aalto. Built for a wealthy Parisian art dealer and collector between 1959 and 1963, the house is situated in the small village of Bazoches-sur-Guyonne, in the historic rural landscape near Versailles and Chartres. Although the villa is an expression of Aalto at his most mature, it also embraces the youthful architectonic ideas of his second wife, Elissa Aalto.

Aalto was contacted in January of 1955 by a well-known French art dealer Louis Carré and his wife, who wished to build a villa of the highest artistic quality and material comfort on a large plot Carré had acquired near the village of Bazoches, overlooking a vast panorama that merges historical landmarks and the Forêt de Rambouillet. In addition to the architecture, Aalto was to be responsible for the furnishings – as exclusively designed as possible – and for the landscaping of the whole plot with terraces and plantings.

He designed a house under an immense lean-to roof made of blue Normandy slate, pitched in imitation of the landscape itself. The base and parts of the walls are Chartres limestone; whitewashed brick and marble were also used for the facades. Since the purpose of the house was partly to exhibit gems from the dealer’s stocks to prominent clients in an exclusive domestic milieu, the rooms were divided into an entertaining section and a service section, the bedrooms being connected with the latter. The spacious entrance hall, with large panels that provide surface for the display of art, has a free-form wooden ceiling built in situ by Finnish carpenters, who also realized the stepped wooden ceiling of the large living room. Here, one of the walls entirely opens onto the landscape thanks to a large panorama window.

Specially designed light fixtures, fixed and movable furnishings with many unique touches complete the interior, which rivals that of the Villa Mairea with its modern comfort and magnificent works of art. Mr. and Mrs. Carré’s separate bedrooms are also lavishly appointed, and connected to a Finnish sauna and an intimate garden area sheltered from the wind. The rising pitch of the roof from the kitchen area, office, and the luxurious guestroom makes space for an upper storey containing four bedrooms for the household staff.

The surrounding garden, with its many old trees, was landscaped by Aalto with a system of ‘turf stairs’ i.e., low grassy terraces supported by cleft tree trunks (quickly replaced by stone ones), similar to those used in the Säynätsalo municipal offices and Aalto’s own Experimental House. The garden also contains a theatre cavea built of slate, reminiscent of that enclosed by Aalto’s own architectural office building. A garage, partly embedded into the slope, and a swimming pool complete the picture. The Maison Carré was inaugurated in 1959, but work continued until 1961.

Iittala Glass Factory and Design Museum Iittala

Finnish design is known for glass. Iittala is home to a Finnish glass center, the only glass factory in operation in Finland. Iittala’s story began in 1881, when a glass factory was founded in the village. Today, Iittala’s design story is known worldwide.

The names of Alvar and Aino Aalto have been connected to Iittala since the beginning. Alvar Aalto wanted to ‘free’ glass from geometric form and create an impression of organic, living forms. Aino and Alvar Aalto believed objects should be essential, beautiful, useful and democratically available to all. Today, the legendary Aalto vase is a symbol of Finnish design and one of the world’s most famous glass objects. Each vase is mouthblown at the Iittala Glass Factory.

The Iittala Glass Factory offers a unique opportunity to see how skilled glassblowers create Aalto vases, art objects and common utility articles from molten glass. The demanding work of the glassblowers can be followed either independently at a viewing balcony or with a pre-booked tour guide.

In Design Museum Iittala, located in a cultural-historical area of the Iittala glass factory, the visitor has an opportunity to explore the history of the factory. The largest of the exhibitions is the basic exhibition that presents the glass history of Iittala, and displays internationally acclaimed art glass and prominent serial design products from the late 19th to the 21st century. The exhibition focuses on the Aalto vase and on the golden age, the 1905s, of Finnish design.

Muurame church

Alvar Aalto designed several church plans in 1920’s and Muurame church is the only one that was realised. Muurame church is considered to be a interphase in Aalto’s career. After Muurame church, Aalto gradually moved on from classism to functionalism.

The village of Muurame lies a few miles south of Jyväskylä, the town where Aalto opened his first architectural practice in 1923. It was only natural for the parish council to commission its new church from the closest qualified architect. Alvar Aalto had made his first trip to Italy in 1924, and his travel impressions are much in evidence in the church of Muurame.

Muurame church represents Nordic Classicism. Muurame church is located on a ridge and it is an important part of the cultural heritage in the area. The church is a single-aisle basilica with a tall campanile on one side of the rounded chancel. The interior has a barrel vault over a system of joists, the parish hall opens as a side chapel to the right of the chancel. A staircase leads down from this room to an exit with a loggia, which in Aalto´s original plan is surrounded by a rose garden.

Aino and Alvar Aalto designed the furnishings for the church together. The furnishings, designed fairly late in the project, took on elements of Aalto´s conversion to Modernism, and Aalto used Poul Henningsen lamps for interior lighting.

The interior of the Muurame church has undergone several changes over the years. Last time the interiors and exteriors of the Muurame church were renovated in 2016. The aim of the renovation was to restore the church to its original appearance. During the renovation, also Poul Hennigsen’s light fixtures were returned to the church. The latest renovation is considered to be successful.

William Lönnberg was commissioned to paint the altarpiece in 1929.

Wood, Water & Workshop in Kouvola

Experience the industrial Tehtaanmäki and create your own mindscape. The tour takes you to the Ankkapurha Cultural Park, besides the foams of the River Kymijoki and the Tehtaanmäki residential area. At the Art Centre Antares in the countryside sceneries of Sippola the tour culminates into a workshop and exhibition. On this tour, you can be inspired by the layers of history and create something new of your experiences.

The tour takes you to the industrial community at Tehtaanmäki and presents you the residential area designed by Alvar Aalto. The region is filled with history of the woodworking industry from the 1870s onwards. Tehtaanmäki contains the traditional and the modern – Aalto was hired in the 1930s to design the Anjala Paper Mill and homes for the mill workers. A new type of working-class world was created: verdant and communal area built near the river, providing a setting for housing, school, interests and work.

You will be guided through the residential area, where the houses are still used for their original purpose. The Anjala Paper Mill Aalto designed is also in operation. After the tour we take a boat trip along the River Kymijoki and have a cup of coffee served beside campfire. Accommodation takes place on the grounds of an old manor. In the evening you can relax in sauna by the river.

On the second day, it is your turn! You will be taken to an art workshop at the local Art Center Antares nearby. Interpretate all what you have seen and experienced, in your way and personal style.

Artist community at Lake Tuusula and Villa Kokkonen in Järvenpää

The museums near the lake Tuusula display the history and the rich cultural heritage of Finland. A unique community of artists formed on the shores of Lake Tuusula in early 1900’s. Notable artists settled in the rural landscape and their works play an important role in the story of the Finnish identity. In artists’ studios of National Romantic style you can sense the historical atmosphere that generated the inspiring national spirit and the strive towards independence from Russia. Finland gained independence in 1917. Visitors can enjoy art and experience the past through artists, writers and composers of the Golden age of Finnish art. The artists’ studios takes you back in time to the National Romantic era and the other museums in the area exhibit the history of Finland in the 20th century.

Villa Kokkonen (1967—1969) is a real rarity among the private homes designed by Alvar Aalto, because Aalto designed the building as an artist’s home. The composer Joonas Kokkonen lived in Villa Kokkonen for 27 years. The architectural heart of the building is the unique combination of a grand piano and concert room.

Lake Tuusula is a perfect travel destination for it offers you plenty of interesting places to visit within easy reach. Lake Tuusula also offers great possibilities for outdoor activities in summer and in winter. A good bike route of 24 kilometres leads you around the lake in the beautiful landscape. There are lots of places for recreation close by, for example the Sarvikallio viewing point. It offers a spectacular view over the lake Tuusula, a view that inspired artists to portray this distinctively Finnish landscape in their work.

Lake Tuusula Road and the artist community

The road by the Lake Tuusula, Tuusulan Rantatie in Finnish, was part of a historical road connected to
Helsinki. It goes through the beautiful lakeside scenery all the way until the nearby city of Järvenpää. The
Lake Tuusula artist community had a major influence on the cultural history of Finland in the era of
National Romantic movement. Several artists of the golden age of Finnish art settled on the eastern bank of the lake in the late 19th and early 20th century.

The first ones to settle on the shores of Lake Tuusula were the author Juhani Aho and his artist wife Venny
Soldan-Brofeldt. In spring 1897 they rented a villa, which is now called Ahola and open as a museum. Their example inspired other artists to move there, to live and work in the peaceful surroundings close to nature.

The studio residence of painter Eero Järnefelt was built in 1901. Next year were finished the atelier of
painter Pekka Halonen, Halosenniemi, and the home of poet J.H. Erkko, Erkkola. The master composer Jean Sibelius moved with his family in 1904. Their villa is called Ainola after his wife, Aino Sibelius.

Today these five homes are open for visitors. They are located by the Lake Tuusula within a span of 5 kilometres. The Tuusulanjärvi artists’ community would have come to an end by the death of Jean Sibelius in 1957, but the community gained new momentum when Joonas Kokkonen cancelled his plans to move to Helsinki. Instead, he acquired a lakeside plot from the Town of Järvenpää at an affordable price and was able to hire the most famous architect in Finland to design his home. Villa Kokkonen is located nearby, on the other side of lake Tuusulanjärvi.

Alvar Aalto in Alajärvi

The city of Alajärvi in the Southern Ostrobothnia is located close to Alvar Aalto’s childhood hometown Kuortane. Aalto spent his childhood summers in Alajärvi and later had his own summer house there up to 1940s. For him Alajärvi represented leisure time with family and relatives in contrast to the hectic work at the office with all the assignments and architecture competitions. Later Aalto reminisced the place and called it his spiritual home.

In the scenic Alajärvi one can see buildings from the long span of Aalto’s career, from the earliest assignments to the last of his office. At the Alajärvi Administrative and Cultural Centre there are 11 locations, including the recently renovated Villa Väinölä, a home Aalto designed for his brother.

By the lake in Alajärvi there is the Alajärvi Church (1836), designed by the famous architect C.L. Engel. Aalto used to have a seat in the church loft in his youth. In the beautiful churchyard you can see e.g. war
memorials designed by Alvar Aalto and the Aalto family grave.

The Administrative and Cultural Centre in Alajärvi consists of two municipal offices, the Parish Centre, Youth Association building, the former Municipal Hospital, a Health Station, Villa Väinölä and the City Library, which was finished by the architect studio of Aalto.

In addition there are the three memorials and the summer house Villa Flora, that Aalto designed for him and his wife Aino Aalto. Today Villa Flora is under private ownership.

The lobby of the Alajärvi town hall houses Muodon Vuoksi, an exhibition of the classic 1930s glass design of Alvar and Aino Aalto. Alajärvi was a town dear to Aalto and he put his heart and soul into the local projects. The countryside was his retreat during the busy creative years.

Nelimarkka museum

The Nelimarkka Museum in Alajärvi was founded by the painter and professor Eero Nelimarkka (1891-1977) in 1964. The building was designed by his friend, the architect Hilding Ekelund. Since 1995 it has functioned as the Regional Art Museum of Southern Ostrobothnia. It focuses on displaying regional Ostrobothnian art but art education also plays an important role.

Temporary exhibitions, workshops and events for visitors of all ages are organized regularly. Since the mid-1980s the museum has also provided an international residency program for artists.

In summertime you can enjoy coffee and cake in the light atmosphere of Café de Nelimarkka. The museum shop is open year-round. You can book a customized tour or workshop at the museum. Nelimarkka museum maintains the near-by Villa Nelimarkka and Villa Väinölä, located in the centre of Alajärvi. Nelimarkka Museum is open all year round.