Location: Finland

Aalto Library in Seinäjoki

The Seinäjoki Library was designed as a part of the Aalto Centre in Seinäjoki and the building completed in 1965. Originally the public and other working spaces were mainly located on the ground floor of the building whereas storage and exhibition spaces were located downstairs. Aalto also designed the main part of the built in fixtures, furniture and light fixtures as a part of the entity of the building.

Aalto’s library functioned as the main library of the city until 2012. In 2012 the new main library Apila was completed and Aalto’s library was connected to it with a under ground passage. Aalto’s library was renovated to its original state during 2012-2015. The renovation was considered to be a great success and an example to other renovation projects. Also the furniture and the lighting for the reading room were restored during the renovation and were then installed in their original locations. Nowadays the regional collections, genealogy and a separate children’s literature department operate in the library. Arts, architecture, history and ethnology literature is also placed in Aalto’s library.

Aalto’s Seinäjoki library also has an important collection of design glass by Aino and Alvar Aalto on display in the library’s original magazine reading room. The collection is owned by the city of Seinäjoki.

Aalto’s Seinäjoki library has a very simplified façade and the strips of windows that are covered with slats dominate it. It is considered to represent a free-form hall library type. A lot of attention was given to the lighting of the building and especially in capitalizing the natural daylight. The lending desk is located right in the middle of the building. Behind it Aalto designed a lowered reading space which is a typical feature in Aalto’s libraries. The layout of the building combines forms of a rectangle and a fan, which also plays an important role in the surveillance of the building.

Jyväskylä Workers’ Club

Jyväskylä Workers’ club building was the first notable public building that Alvar Aalto got to design after his graduation with Aino Aalto. Aalto was given the design commission for the new building in the city centre by the Jyväskylä Workers’ Association in 1924. The plans for the building were made in 1924 and it erected the following year. Aino and Alvar Aalto also designed the furniture, light fixtures, and fittings specially for this building. 

This building also marked Aalto’s breakthrough and it is one of the principal works of Alvar Aalto’s Classical period. Workers’ club is also one of the most historically important building of its time. It was protected by law in the city plan already at the beginning of the 1970’s. The provincial government of Central Finland protected the building in 1978 and finally the Finnish Government protected the building in 1986.

The lower level of the building is basically a glazed colonnade containing a restaurant, two café rooms, and the entrance hall to the theatre. A monumental staircase leads up to the upper floor. The largely windowless upper floor contained an auditorium used for political assemblies and as a theatre with stage, parterre, balconies, and foyer. These facilities were used by the workers’ theatre and later by the city theatre until the new city theatre completed in 1982. Nowadays the building is used as a venue place for meetings and special occasions. 

The foundation of the Jyväskylä Workers’ club were laid on 22nd of September in 1924. Into the stone foundation they hid old issues of their Työnvoima -magazine and the workers club 35-Year History, pictures and money.

When the Workers’ club completed it had a distinctively different character in the street scene of Jyväskylä. The building represents typical 1920s Nordic Classicism and it has features from Renaissance architecture. Such as the Palladian windows, the medallions details and the balustrades which dominate the facade. Also the restaurant space inside the building has a round atrium shape. The earliest sketches also show a large, colonnaded forecourt but it was not built.

Workers’ club has been refurbished and some changes have been made over the years. For example the restaurant spaces have later been fully remodelled. More restoration and repair work were done in the 1980’s and some parts of the building were brought back closer to the historically accurate condition. The latest renovation was in 2008 when the theatre space Aalto-sali was renovated.

Jyväskylä University Campus and Seminar Hill

The first buildings at the Seminar Hill were built already in 1880’s. Konstantin Kiseleff’s redbrick buildings are the oldest buildings in the area. Seminar Hill and the Jyväskylä University Campus area is nowadays protected by law. The University area represents many historical layers and it is therefore considered to be one of the areas richness as well. It is also considered to be a good example of an area where modern and older buildings go together seamlessly.

The Jyväskylä University campus is largely made up of the buildings designed by Alvar Aalto for the Jyväskylä College of Education, later the University of Jyväskylä, in the 1950s. Aalto won the architectural competition with his URBS proposal in 1951. Various buildings were then completed all the way to the 1970’s based on Aalto’s plan. The proposal name URBS refers to a city and therefore all the buildings were placed to the area in a city-like form. 

The layout, based on the winning competition proposal, is derived from the American campus principle. Originally, it consisted of buildings designed to serve both the teaching and administration of the College, including the main building and library, the teaching-practice school, the refectory and hall of residence, two gymnastics buildings, an indoor swimming pool built by the student union and subsequently extended several times, plus a residential building for the staff and a boiler house. Aalto’s original scheme forms a crescent or ’horse-shoe’ around the sports ground.

Seinäjoki Defence Corps building

The Defence Corps building was commissioned by the Southern Ostrobothnia Defence Corps, which used the three-storey building with mixed functions as its headquarters. The main building was originally used as offices for the Civil Guard of South Ostrobothnia and the Lotta Svärd Association. The top tier of the building was in residential use. 

The semi-subterranean ground floor, which contains a circular assembly hall, foyer and cloakroom, is built of stone; the office level and the residential storey (at the top with its own access stairs) are of wood. Together with the main building, a separate outbuilding was designed and erected on the other side of the courtyard. The ground floor of this two-storey building of rendered brick contains a garage, guardhouse, arms depot, sauna, and laundry; there are four small apartments in the upper storey. An unusual stair arrangement on both sides of the arched entrance provides separate access to most of the various facilities. One of the short sides of the courtyard is enclosed by a low wooden storehouse, designed some years later. The courtyard itself was intended as a drill and parade ground.

After the Second World War the building was re purposed for other uses. Since then many tenants have been operating in the building, including The Federation of Finnish youth association, a school and a travel agency. Nowadays the building is managed by the Provincial Museum of Southern Ostrobothnia. Currently it houses the Civil Guard and Lotta Svärd Museum. The main building holds museum exhibition and meeting spaces, an info booth and museum shop. The outbuilding has more exhibition spaces and a administration space for the museum.

The Defence Corps building has been preserved in its original condition and it’s buildings and their yard have also been protected under the law regarding building protection since 2002. 

The building represents refined neoclassicism and functionalist features as well as Ostrobothnian construction heritage. The building’s unusual stair hall, facade pilasters, and assembly hall painted in Pompeiian style make it one of the chief works of Alvar Aalto’s Neo-Classical period. Some part of the decorations in the buildings, including furniture, lamps and ornament details were also designed by Aalto. 

Aalto originally designed a loggia-like staircase for the end entrance, but it was not built.

The Suojeluskuntalainen statue, work by artist Pentti Papinaho is located in the yard of The Defence Corps building.

AaltoAlvari Swimming Hall

AaltoAlvari is the only swimming hall designed by Alvar Aalto. AaltoAlvari also has a gym, sports hall and a cafeteria. AaltoAlvari is also part of the main campus of the Jyväskylä University campus that was designed by Aalto as well. The original design of the swimming hall is from the 1950’s. Soon after its completion the desire was expressed to extend the building. Further extensions were made in the 1960’s, 1970’s and in the 1990’s. The oldest part of the swimming hall was completed in 1955 and it has a 25 meter swimming pool. In 1964 children pool was added and in 1968 the gym was built. In 1975 a 50 meter swimming pool was also added. The latest addition to the building is the spa section which was completed in 1991. Following the renovation in 1991 the swimming hall was converted into a versatile spa-like centre, and was given the name AaltoAlvari. 

AaltoAlvari was protected by law in 1992, except for the spa section. AaltoAlvari has also been renovated over the years. The first renovation started in 1998 from the 1950’s part. The latest renovation was completed in 2013 and then the focus was for the 1970’s part. The spa section from the 1990’s is in its original state. Renovation for the spa section as well as adding an extension to it, is being planned. The goal of the future renovations is to make AaltoAlvari a leading water sports centre which will serve both the locals as well as travellers better.

In 1950’s it became more common to build swimming halls in Finland, however it often involved various arrangements for example concerning funding. In the case of Aalto’s swimming hall the client-developer was different than for all the other building on the campus, where it has been the National Board of Building, that is, the Finnish state. Here the client-developer was the University of Jyväskylä Student Union whom the city of Jyväskylä and the Finnish state partially funded as well. At the same time when the architectural competition for the campus area was in preparation in 1950, Jyväskylä Student Union was in the process of designing a hall with Ilmari Niemeläinen, who was an architect as well as a Olympia swimmer. Therefore the hall eventually became to be a part in the architectural competition for the campus as well.

In Aalto’s proposal URBS the new buildings were grouped around the sports field and he also preserved more of the older buildings in the area than the other competitors. URBS included the plans for the swimming hall and the Student Gymnasium Building already on the draft plan. The south-west end of the building was built adjoining to the Student Gymnasium Building. However, the main entrance to the swimming hall was designed on the north-west side of the building, that is, facing out from the campus area. On its completion the swimming hall was open not only to the college students but also to the citizens of Jyväskylä. This was one of the things in Aalto’s plan that got praised.

After Aalto won the competition, the swimming-hall also grew in size later. It was separated from the gymnasium building and a spectator seating and changing rooms and washrooms were added to the plan.  The original sizes of changing rooms and washrooms meant that they could be used only by one group at a time. Aalto’s swimming hall opened for public on 19th of May 1955.

Aalto sites in Kouvola

Alvar Aalto’s most prominent works in Kouvola are located in Inkeroinen within the area of the Ankkapurha Culture Park. The buildings designed by Aalto in Tehtaanmäki, Inkeroinen date back to 1937 to 1956. These include the industrial buildings of the Anjala Paper Mill and the Tampella Co. Housing Area, including Rantalinja semi-detached houses, Tervalinja terraced houses, three engineering personnel houses and housing blocks for the workers of the mill. While in Kouvola, also make sure to check the Kasarminmäki gateposts, which the young architect designed for the garrison area when he was doing his military service.

The area is complemented by the Tehtaanmäki Primary School finished in 1940 and the Karhunkangas housing area of single-family homes, where most of the residential buildings were completed in 1938. The Tehtaanmäki Primary School is the only elementary school designed by Alvar Aalto that is still in its original use. The town plan designed by Aalto in 1937 covered the entire centre of Inkeroinen, but only the Karhunkangas area and the area adjacent to the mill were ever implemented.

The centre of Kouvola is also an interesting attraction to architecture enthusiasts. The administrative centre of Kouvola representing modernism is a nationally significant built cultural environment catalogued by the National Board of Antiquities. The Town Hall of Kouvola (Bertel Saarnio, Juha Leiviskä, 1964 to 1968, 1969) is an outstanding work of modern architecture classified by the international DOCOMOMO organisation.

The renovated pedestrian street Manski with its shops and cafeterias beckons you to have a cup of coffee and a rest. Those craving for culture make their way to explore the high-standard exhibitions of the Kouvola Art Museum belonging to the Poikilo Museums, and the museum building flooded with light.

Villa Skeppet

Villa Skeppet was the last home Alvar Aalto designed. Almost all the ideas and solutions that Aalto developed during his career are seen in Villa Skeppet. Aalto designed this house in for his friends the author Göran Schildt and his wife Christine. Göran Schildt’s passions in life; sailing and his love for Mediterranean culture were taken into consideration when Aalto designed the architecture and the furnishings for Villa Skeppet. Villa Skeppet is situated on a nearly level, park-like site with a view across the eastern bay harbour of the idyllic small town.

The lower parts of the villa are built of white rendered brick, whereas the large, fan-like living room which rises above the entrance and garage front is a timber construction, clad with vertical weatherboarding. The living room, which opens onto a wedge-shaped balcony, has large landscape windows on the sea side and an open fireplace designed by Aalto as an abstract sculpture.

Göran Schild alongside with his wife would residence Villa Skeppet mainly during summer. For this reason, the building has retained nearly its original condition. Nowadays the building is owned by the The Christine and Göran Schildt Foundation. It opened its doors to public momentarily for the first time in 2018. After renovations Villa Skeppet will be open for public permanently in 2020.

The living room is integrated with the central hall by means of a common ceiling borne by monumental beams, open balustrades, and two stair landings. The hall also provides access to the author’s quiet study, the bedroom, and the combined dining room and kitchen. The sauna is in a separate wooden wing linked to the main building by a latticework wall and a baldachin, both in free form.

In the centre of the inner yard is an amoeba-shaped lily pond and behind it a shed with a summer dining room. A lot of attention were also given to the landscaping designs. The garden is shielded from view by several screens consisting of diagonally placed vertical boards.

Iittala Glass Factory and Design Museum Iittala

Finnish design is known for glass. Iittala is home to a Finnish glass center, the only glass factory in operation in Finland. Iittala’s story began in 1881, when a glass factory was founded in the village. Today, Iittala’s design story is known worldwide.

The names of Alvar and Aino Aalto have been connected to Iittala since the beginning. Alvar Aalto wanted to ‘free’ glass from geometric form and create an impression of organic, living forms. Aino and Alvar Aalto believed objects should be essential, beautiful, useful and democratically available to all. Today, the legendary Aalto vase is a symbol of Finnish design and one of the world’s most famous glass objects. Each vase is mouthblown at the Iittala Glass Factory.

The Iittala Glass Factory offers a unique opportunity to see how skilled glassblowers create Aalto vases, art objects and common utility articles from molten glass. The demanding work of the glassblowers can be followed either independently at a viewing balcony or with a pre-booked tour guide.

In Design Museum Iittala, located in a cultural-historical area of the Iittala glass factory, the visitor has an opportunity to explore the history of the factory. The largest of the exhibitions is the basic exhibition that presents the glass history of Iittala, and displays internationally acclaimed art glass and prominent serial design products from the late 19th to the 21st century. The exhibition focuses on the Aalto vase and on the golden age, the 1905s, of Finnish design.

Muurame church

Alvar Aalto designed several church plans in 1920’s and Muurame church is the only one that was realised. Muurame church is considered to be a interphase in Aalto’s career. After Muurame church, Aalto gradually moved on from classism to functionalism.

The village of Muurame lies a few miles south of Jyväskylä, the town where Aalto opened his first architectural practice in 1923. It was only natural for the parish council to commission its new church from the closest qualified architect. Alvar Aalto had made his first trip to Italy in 1924, and his travel impressions are much in evidence in the church of Muurame.

Muurame church represents Nordic Classicism. Muurame church is located on a ridge and it is an important part of the cultural heritage in the area. The church is a single-aisle basilica with a tall campanile on one side of the rounded chancel. The interior has a barrel vault over a system of joists, the parish hall opens as a side chapel to the right of the chancel. A staircase leads down from this room to an exit with a loggia, which in Aalto´s original plan is surrounded by a rose garden.

Aino and Alvar Aalto designed the furnishings for the church together. The furnishings, designed fairly late in the project, took on elements of Aalto´s conversion to Modernism, and Aalto used Poul Henningsen lamps for interior lighting.

The interior of the Muurame church has undergone several changes over the years. Last time the interiors and exteriors of the Muurame church were renovated in 2016. The aim of the renovation was to restore the church to its original appearance. During the renovation, also Poul Hennigsen’s light fixtures were returned to the church. The latest renovation is considered to be successful.

William Lönnberg was commissioned to paint the altarpiece in 1929.

Church of the Three Crosses (Vuoksenniska Church)

The Church of the Three Crosses in Vuoksenniska is one of Imatra’s parish churches. After the Second World War, Alvar Aalto was commissioned to create a master plan for Imatra, which merged three of the rural municipality’s widely separated old villages: Imatrankoski, Vuoksenniska and Tainionkoski. The industrial community also required church amenities, and thus Aalto was commissioned in 1955 to design a new church. Aalto designed the church for the Vuoksenniska industrial community so as to combine sacral and social activities. The church was completed in 1958 on the high, pine-forested ridge that divides Lake Saimaa from Lake Immala.

Alvar Aalto, together with his office collaborators, designed the church interior, complete with its lamps, church collection baskets and candle holders, in the spirit of a total work of art, or “Gesamtkunstwerk”. The basic design of the sculptural white church consists of a series of consecutive sections. The main church space can be subdivided into three spaces using movable partition walls; the most sacred of which is the altar end and its pews, and the organ and choir balcony. Opposite this, at the southern end of the building, one could play volleyball or badminton without disturbing the other activities, the architectural complex or the sacral nature of the church. For the everyday parish activities, a kitchen and meeting room were built in the basement.

The church complex also comprises a 34-metre high sculptural concrete campanile, as well as a vicarage that encloses the southern courtyard.

Aalto worked on the design of sacral buildings throughout his career, but several of his church designs never went beyond competition proposals. Of his realised churches, the Church of the Three Crosses completed in 1958 in Vuoksenniska is unique. The small sculptural parish church, rising up amidst pine heath, embodies the free and imaginative aspect of Aalto’s architecture. The church can be said to be Aalto’s response to the development of modern church architecture in central Europe.

The complex exterior architecture of Vuoksenniska Church conceals the tracks of the heavy sliding walls that affect the design of the building at all levels. According to Aalto:

“The author has simultaneously sought two solutions to the problems, one of which lies almost exclusively within the psychological realm (the acoustic tone of the sermon) and the other purely within the technical realm (the effective separation of the church spaces from each other).” (Arkkitehti 12/1959)

When presenting his design for the Vuoksenniska Church in the journal Arkkitehti, Aalto criticized contemporary church design:

“The ecclesiastical activities of the industrial community must, of course, be resolved with an emphasis on the church’s social activities. Though in the world there exist several different combinations of such church activities, it is unfortunate, however, that many institutions of a social nature have often removed from church buildings their character as a public building. Very often these are kinds of intermediate forms between settlement-movement hostels, youth and parish clubs, parish halls and the actual modest church space connected to these.” (Arkkitehti, 12/1959)

Homes and habitats by Alvar Aalto

Villa Mairea in Noormarkku, Kauttua Terraced house and Paimio Sanatorium remain as homes, where everyday life merges with architecture and iconic design furniture. Well-being stems from the pine forests and riverside sauna. Set out to experience living as envisioned by Alvar Aalto!

This tour in the South West Finland takes you back in time and presents you the masterpieces of modern architecture. At the Paimio Sanatorium you can learn about Aalto’s modernist ideas healthy environments, at Kauttua you can see the Terraced house, that Aalto designed for residential use.

Villa Mairea presents you the beautiful private home of timeless decor. In the historical Noormarkku and Kauttua Works of the Ahlström company you can enjoy the picturesque milieu and learn about the history of Finnish woodworking industry.

Delicious lunch and dinner are served at authentic locations. There is also a possibility to bathe in the riverside sauna, a building designed by Aalto.

Early and later works of architect Alvar Aalto

Travel in the sceneries from the various phases in the life of Alvar Aalto, from Seinäjoki via Kuortane and Alajärvi to Jyväskylä in the lake district of Finland. See the master’s birthplace and family grave, some of his most famous competition works as well as his early and later works.

Alvar Aalto designed a world-famous centre of administrative and cultural buildings in Seinäjoki. The landmark of the Aalto centre, the Cross of the Plains Church, soars to a height of approx. 65 metres. The renovated Aalto Library exhibits the world’s biggest private collection of Aalto glassware.

The architect was born in Kuortane and he used to spend his summers in Alajärvi, which is the home for the first buildings designed by the young architect student and for the last creation of Aalto’s office. In Alajärvi, the tour participants can also visit the recently renovated Villa Väinölä, the house that Alvar Aalto designed for his brother. The countryside provided Alvar Aalto with a setting for relaxation during his hectic creative period.

The Jyväskylä region contains more buildings designed by the master architect than any other region in the entire world. Among as many as 28 attractions, you can choose for example the Alvar Aalto Museum, Muurame Church and Säynätsalo Town Hall, which is considered Aalto’s most prominent work in the red brick era. Alvar Aalto also went to school, started a family and launched his prestigious career in Jyväskylä.